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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do we need hymns, when we already have Psalms?

Dr. Lucas Tappan · March 15, 2017

LMT Real Music HE TITLE of my current post comes from the first chapter of Anthony Esolen’s book on hymnody, Real Music (which can be purchased here). I was blessed to purchase the book as well as have a good conversation about it with the author himself last month and want to heartily recommend the, especially for the first chapter, which is devoted to the Psalter.

The Psalter, as Esolen notes, is the prayer book of the Church and the Psalms constitute the “foundational poems of Christian praise.” Not only are the Psalms truly beautiful in an aesthetic sense (which they undoubtedly are), but also because they speak to every moment of the Christian’s life on earth—as well as the life to which he is called. They plumb the depths of joy, sorrow, praise, suffering, marriage, children, life, death, God and the fight between the family of God and its enemies. The Psalter was also the “hymnal” of Christ and Mary, the apostles and countless saints and sinners spanning the two millennia in the life of the Church. The only other hymnal that has come close to such longevity and vitality in the Roman Rite is the Graduale Romanum, another book of rare worth.

What I especially appreciate in his chapter on the Psalter is how Professor Esolen masterfully presents the reader with the beauty of the Hebrew Psalter and its idiosyncrasies, its structure and poetic styles, all without bogging the lay reader down with too many technical details of the Hebrew language. In a sense, he is able to bypass the trees and present the beauty of the forest. He also tackles the difficulty of not only translating the Psalter into English prose (he relies upon the beautiful King James version), but also the difficulty of creating metrical versions which live up to the majesty of the originals.

I do, however, want to caution the avid connoisseur of all things liturgical in the Roman Rite. This is not a work on the great hymns of the Divine Office or other liturgical chants that might be classified as hymns. Real Music deals with what one might classify as devotional hymns, which although not officially part of the Roman Liturgy, are nevertheless important to the flowering of true piety and love. Best of all, it comes with a CD containing a number of the hymns sung by the St. Cecilia Choir from St. John Cantius in Chicago. If you aren’t able to read music, just sing them with the CD until you know them by heart. I promise you, they will become a vibrant part of your spiritual life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“At the hour for the Divine Office, | as soon as the signal is heard, | let them abandon whatever they may have in hand | and hasten with the greatest speed, | yet with seriousness, so that there is no excuse for levity. | Let nothing be preferred to the sacred liturgy.”

— Rule of St. Benedict (Chapter 43)

Recent Posts

  • Simplified Accomp. • Schubert’s “Ave Maria.”
  • “The Unselected Hymn” • Do You Recognize It?
  • 2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark
  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)

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