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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Do we need hymns, when we already have Psalms?

Dr. Lucas Tappan · March 15, 2017

LMT Real Music HE TITLE of my current post comes from the first chapter of Anthony Esolen’s book on hymnody, Real Music (which can be purchased here). I was blessed to purchase the book as well as have a good conversation about it with the author himself last month and want to heartily recommend the, especially for the first chapter, which is devoted to the Psalter.

The Psalter, as Esolen notes, is the prayer book of the Church and the Psalms constitute the “foundational poems of Christian praise.” Not only are the Psalms truly beautiful in an aesthetic sense (which they undoubtedly are), but also because they speak to every moment of the Christian’s life on earth—as well as the life to which he is called. They plumb the depths of joy, sorrow, praise, suffering, marriage, children, life, death, God and the fight between the family of God and its enemies. The Psalter was also the “hymnal” of Christ and Mary, the apostles and countless saints and sinners spanning the two millennia in the life of the Church. The only other hymnal that has come close to such longevity and vitality in the Roman Rite is the Graduale Romanum, another book of rare worth.

What I especially appreciate in his chapter on the Psalter is how Professor Esolen masterfully presents the reader with the beauty of the Hebrew Psalter and its idiosyncrasies, its structure and poetic styles, all without bogging the lay reader down with too many technical details of the Hebrew language. In a sense, he is able to bypass the trees and present the beauty of the forest. He also tackles the difficulty of not only translating the Psalter into English prose (he relies upon the beautiful King James version), but also the difficulty of creating metrical versions which live up to the majesty of the originals.

I do, however, want to caution the avid connoisseur of all things liturgical in the Roman Rite. This is not a work on the great hymns of the Divine Office or other liturgical chants that might be classified as hymns. Real Music deals with what one might classify as devotional hymns, which although not officially part of the Roman Liturgy, are nevertheless important to the flowering of true piety and love. Best of all, it comes with a CD containing a number of the hymns sung by the St. Cecilia Choir from St. John Cantius in Chicago. If you aren’t able to read music, just sing them with the CD until you know them by heart. I promise you, they will become a vibrant part of your spiritual life.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

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