• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Beauty, Music and the Sacred Liturgy

Dr. Lucas Tappan · February 8, 2017

LMT Liturgy in Heaven R. JOE HESCHMEYER, a seminarian from our archdiocese and a student at the North American College in Rome, maintains an excellent blog entitled Shameless Popery, where he recently authored a post entitled The Worship of Beauty, and the Beauty of Worship. Mr. Heschmeyer notes at the beginning of his post:

A frequent source of in-fighting amongst Christians involves beauty. How beautiful should our churches be? How beautiful should our Liturgies be? And why? In these discussions, there are two points that often go overlooked:

• We Worship Beauty.
• Created Beauty Points towards Divine, Uncreated Beauty.

Obviously, we don’t worship created beauty, but we literally do worship uncreated Beauty. [At the same time,] Creation rightly serves as a sort of ‘road’ leading to its Creator: beauty below points to Beauty above.

As I read his post I remembered a homily I heard delivered to a group of young people by an excellent priest who impressed upon the youth in the congregation that Sunday Mass (and Holy Day Masses) must constitute a non-negotiable in the Christian’s spiritual life. In an attempt to combat various reasons young people gave for not going to Mass every Sunday (it’s boring, I don’t get anything out of it, the music is bad) he boldly stated that as nice as hearing beautiful music at Mass was, we didn’t go to church for the music. I happened to be sitting in the congregation at that Mass in the front row and when he spoke the aforementioned words, he looked at me as if to ask me to affirm what he had just said. While I would ultimately agree that we don’t go to Mass for the music, I couldn’t help feeling that he missed the deeper spiritual reality that the Mass must be celebrated in such a manner that its Truth, Goodness and Beauty shines forth, and perhaps because it isn’t often celebrated this way young people find it difficult to travel the very road (the Sacraments) God put in place to bring them into communion with Him.

Truth, Goodness and Beauty are the three so called transcendental properties of being. Truth, Goodness and Beauty are Who God is in His very essence. Therefore, we can’t say that God is truthful, we must say that He is Truth itself. We can’t refer to God as being good in the sense of good being a description of His divine Person. We must say that God is Goodness itself. Likewise, we can’t say that God is beautiful, we must say that He is Beauty itself. All three of these properties of being have a definitive bearing on the celebration of the Sacred Liturgy.

First, the Sacred Liturgy must be true. The real and valid matter and form must be used. The Word of God is “living and true.” The Creed is a true true statement about God and His Church. In the same manner, the Sacred Liturgy must also bear witness to the Goodness of God, His loving Fatherhood, His Justice, His unfathomable mercy toward each of us, His plan for our life with Him and with each other. Finally, the Sacred Liturgy must be Beautiful. The word of God is beautiful. The act of consecration is beautiful. The Blessed Sacrament is Beauty Himself. However, since God the Father has hallowed all of creation in the Incarnation, all creation must therefore proclaim the Praise and Glory of God, which means that everything, the music, the architecture, and especially the soul of the priest and the souls of all the faithful present must be a beautiful as possible if they are to give fitting praise.

Yes, the Mass would still be valid (presuming valid matter and form) and of infinite worth whether or not the priest were a heretic, the faithful were bored and disengaged to the last man, woman and child, the music were terrible, the building ugly, and if there were a hatred shown for the widow and the orphan. At the same time, I can’t think of a better way to show ingratitude to our Heavenly Father. Such a state of affairs merely shows our own spiritual poverty.

Ultimately, the Sacred Liturgy must be True, Good AND Beautiful. As Mr. Heschmeyer writes, “If Augustine is right that God is Beauty, then a Church without beauty would be as absurd as a Church that rejected truth or goodness. A full-fledged rejection or disregard of Beauty would literally be rejecting and disregarding God. So it’s not an option, or a perk. We need to take beauty seriously. And created beauty helps us by pointing us towards the true Divine Beauty.”

Of course, the lived poverty of Christ is often presented as the impetus for whitewashed churches, banal music, fuzzy homilies and any other number of travesties perpetrated in the name of Christ. But Mr. Heschmeyer rightly points the reader to three biblical realities regarding the right worship of God. First, we have the example of the Israelites in the desert and the very detailed instructions given by God Himself regarding how He is to be worshiped. Secondly, we have the example of the costly perfume poured out by Mary of Bethany onto the feet of Christ (and don’t forget our Lord’s rebuke to Judas when the latter bemoans the waste of so much money that could have been spent on the poor) in St. John’s Gospel. Lastly, we have St. John’s description of the New and Eternal Jerusalem and the Eternal Liturgy that takes place in Heaven. All three examples point us to the conclusion that God is very much concerned with Beauty because He is concerned with our well being and He knows we need Beauty.

While It is true that we have to guard against worshiping created matter instead of the Creator (Israel’s constant problem), it is also true that without created beauty we will never enter into communion with out Lord (the Sacraments being prime examples). Perhaps beauty in the Sacred Liturgy makes us uncomfortable in the same way that a bad husband or father is uncomfortable around a good husband or father and feels the need to justify his bad behavior. Perhaps we are uncomfortable with beauty in the Sacred Liturgy because it makes us realize that our hearts have grown cold and no longer have the energy to spend so lavishly and exuberantly on Christ. Beauty will return to the Sacred Liturgy when we once again turn our hearts to the Lord.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

Recent Posts

  • Ending Good Friday on “Mi” … ?
  • “Innsbruck Hymn” • Bach Saint Matthew Passion
  • Stumped by “Episcopalian Hymnal” (1910)
  • Dr. Tappan • Answers + Analysis: My “Inquiry” For Music Directors (3,087 words)
  • Eucharistic Hymns for Your Choir

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.