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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In Defense of the Organ Postlude

Fr. David Friel · January 30, 2017

HE SECOND issue of the new magazine, Altare Dei, from Choralife has just been published. Subtitled “A Magazine on Liturgy and Sacred Music,” this publication will be of interest to many of our readers here at CCW.

The lead story in this latest issue is a well-argued piece by Dr. Peter Kwasniewski (known to our readers as a past contributor): “In Defense of the Organ Postlude.” Against those who are disturbed by this practice, which has been common since the late Renaissance, Kwasniewski makes a case that the organ postlude should not be viewed as a distraction to the act of thanksgiving. It should be appreciated, rather, for its ability to create “a sonic image of angelic choirs, a wordless transcendent proclamation of God’s glory.” Thus, the author’s fundamental claim is that the organ postlude has the spiritual benefit of immersing its hearers in the glory of God. Want to read more? Click here to download.

Included with this issue of Altare Dei is a hefty insert with seven pieces of sheet music. Among the compositions included are an Ave Maria, an Easter Alleluia, and an organ interlude from composers such as Colin Mawby, Mauro Visconti, and Valentinus Miserachs.

A new article of mine appears in this installment. Entitled, “The Earliest Catholic Choir School,” my article explores the roots of the choir school tradition in the Roman schola of the seventh century. Fascinating pieces on a variety of liturgical and musical subjects have also been contributed by David Fagerberg (theology professor, University of Notre Dame), Rev. Thomas Kocik (priest of the Diocese of Fall River, MA), Rev. Enrico Finotti (Italian liturgist), Fulvio Rampi (Gregorian chant scholar), and others.

Altare Dei is the handiwork of Maestro Aurelio Porfiri (another past contributor to these pages). Porfiri’s experience as a choir master, conductor, organist, and music theorist has prepared him well to serve as editor of this new publication.

The magazine is distributed strictly in digital format, on a bi-monthly basis. The first issue is still available for download.

Download the latest edition here for only €6.00, and see the excellent content for yourself!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Uncategorized Tagged With: Altare Dei Magazine, Father Enrico Zoffoli, Pipe Organ, Sacred Choral Works Kwasniewski, Sheet Music Last Updated: November 13, 2019

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Custom preserves many things in liturgy after their first reason has ceased.”

— Father Adrian Fortescue (writing in 1916)

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