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Views from the Choir Loft

“Table Altar” vs. “High Altar” (Novus Ordo)

Jeff Ostrowski · January 2, 2017

WHEN AN ORDINARY FORM Mass is offered “ad orientem,” the priest and congregation face the same direction approximately 11% of the time. The vast majority of the Mass—the Liturgy of the Word, Homily, and so on—is celebrated facing the people. 1

Viewing photographs like the following, I cry out: “What have we done?”



The Vatican’s Congregation for Divine Worship—those responsible for our current GIRM—closed the ad orientem conversation once and for all:

THIS DICASTERY wishes to state that Holy Mass may be celebrated versus populum or versus apsidem. Both positions are in accord with liturgical law; both are to be considered correct. There is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.
—|10 April 2000 (PROTOCOL NO. 564/00/L)


Certain groups become irate when this topic is broached. The Collegeville press (a “progressive” organization) once published an article claiming the GIRM’s Latin edition omits ad orientem rubrics. However, we posted screenshots demonstrating the inaccuracy of their assertion.

IT IS NOT POSSIBLE to maintain that 100% of Ordinary Form Masses must be ad orientem, because (in the section dealing with construction of new churches) the GIRM says:

299. Altare maius exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit, quod expedit ubicumque possibile sit.
299. Where it is possible to do so, the main altar should be built separated from the wall, which allows for the possibility of Mass “facing the people” as well as circling the altar.

On the other hand, claiming that new churches must have a free-standing altar is also erroneous, because the Bishops’ Liturgy Committee has said on 14 February 2012: “The GIRM never speaks to every possible scenario that could take place.” 2



NOTES FROM THIS ARTICLE:

1   To my knowledge, the first person to publicly speak about this was Rev. Mr. Andrew Leung. Cf. his second point here.

2   It is easy to see where churches could be built the traditional way. For example, consider architects with a special sensitivity to the Roman Catholic traditions. Or, consider those who feel a special desire to respond to the request of the CDF Prefect appointed by Pope Francis.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“We have baptized about 240 this year … All the labors of a million persons—would they not be worthwhile if they gained one single soul for Jesus Christ?”

— Father Isaac Jogues, writing to his mother

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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