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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Major Problems with “Holy Family” Feast

Jeff Ostrowski · January 3, 2017

OU PROBABLY THINK I’m going to complain that the Feast of the Holy Family has been moved around too much. After all, it was created in 1893 by the very Pope who composed the breviary hymns for it. First it was placed on the Third Sunday after Epiphany. In 1914 it was moved to January 19th. Later on it was moved to the Sunday within the Octave of the Epiphany. After Vatican II, it was moved yet again. You can see how confusing things were by looking at this page from a 1957 Solesmes book. (The Feast of the Holy Name has also been moved a whole bunch of times.)

But that’s not my problem.

The psalm verse for the Introit—specifically “in átria Dómini”—breaks the formula:

    * *  PDF Download • INTROIT for the Holy Family

Here’s the formula:

500 Holy Family Introit


I wanted to see if this was a 1960s typo, but it’s not. You can see Abbot Pothier did the same thing in 1908:

502 Pothier


Dom Mocquereau, in his 1903 Liber Usualis, does it correctly. That is to say, he treats this solemn cadence as cursive rather than accentual:

501 Mocquereau 1903 Liber Usualis


In Pothier’s 1896 Liber Usualis, he does the same as the Vatican Edition:

499 Pothier 1896 LIBER USUALIS


CONCLUSION : Abbot Pothier must have been extremely bothered by a cursive treatment of “átria.” Sometimes, ancient manuscripts did bend the rules for the tonic accent—but that was not the norm. (Solemn Mode VI is especially confusing in this regard.) Bruce Ford has written:

“Some have criticized Pothier’s treatment of the final cadence of the eighth introit psalm tone. It is cursive, but Pothier sometimes treated it as if it were a cadence of one accent with three preparatory syllables.”

To make matters worse, Rome has sometimes muddled things.


P.S.

Many don’t realize that all the EF chants for the Holy Family can be used for the Ordinary Form. Cf. section 397 of the Ordo Cantus Missæ.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Feast of the Holy Family Last Updated: January 19, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

He stood firm against nepotism, rebuking his predecessor Pope Pius IV to his face when he wanted to make a 13-year-old member of his family a cardinal and subsidize a nephew from the papal treasury.

— Re: Pope Saint Pius V (d. 1572)

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