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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Shortest “Kyrie” Palestrina Ever Wrote

Jeff Ostrowski · December 20, 2016

ACK IN 2013, I released a “simple plan” to improve music at Mass. In that article, I mentioned my belief that an a priori decision made after Vatican II—which eliminated the ancient praxis of simultaneous song & prayer—will someday be corrected. However, waiting for that day would be foolish; we must do our best with the current situation. As I’ve said before, the most “painless” way to introduce worthy music to the Ordinary Form (without irritating your pastor) is choral extensions, which embellish the music while still allowing congregational participation.

For the first few years, this will require polyphony that isn’t too long. Did you know Palestrina set entire litanies to polyphony? 1 The “Kyrie Eleison” from such works can be excerpted, and a simple plainsong melody can be sung by the congregation as shown here:

    * *  PDF Download • Shortest “Kyrie” Palestrina Ever Wrote

REHEARSAL VIDEOS for each individual voice—along with PDF score—await you at #6482. If you like them, please consider donating $5.00 per month.


Palestrina’s CANTUS FIRMUS is the litany melody, which you probably know by heart:

543 Litany


The chart below shows the clever way Palestrina mixes three polyphonic lines together—using beautiful invertible counterpoint—while still respecting the conventions of vertical harmony. (Yes, such horizontal rules did exist, in spite of assertions by some today.)

544 invertible counterpoint


Much ink has been spilled regarding problematic music introduced after the Second Vatican Council, and let’s not kid ourselves: the situation is dire. Too many musicians today rigidly refuse to be inclusive, eliminating from Mass practically everything composed before 1965.

My problem with many of today’s Catholic composers is their almost complete ignorance of counterpoint. I cannot understand why they excuse themselves from studying something considered essential by Marenzio, Bach, Mozart, Chopin, Brahms, and every other great composer. The worst is when I read forums or magazines where contemporary composers bloviate about the rules of counterpoint. Then I peek at their compositions only to discover they haven’t the foggiest notion of authentic counterpoint—which cannot be faked.



NOTES FROM THIS ARTICLE:

1   We recently posted about the complete works of Palestrina, which can be downloaded in their entirety online!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“You should try to eat their food in the way they prepare it, although it may be dirty, half-cooked, and very tasteless. As to the other numerous things which may be unpleasant, they must be endured for the love of God, without saying anything or appearing to notice them.”

— Fr. Paul Le Jeune (1637)

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