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Views from the Choir Loft

Update on Sacra Liturgia Milano 2017

Fr. David Friel · November 27, 2016

LANS FOR Sacra Liturgia Milano continue to take shape. Building on the success of Sacra Liturgia proceedings in Rome (2013), New York City (2015), and London (2016), this gathering bills itself as an international conference on liturgical formation, celebration, and mission.

The conference will be held June 6-9, 2017, with presentations being given in the Aula Magna of the Catholic University of the Sacred Heart in Milan. All talks will be simultaneously translated in Italian and English.

Among the most interesting aspects of this symposium will be the accompanying liturgical celebrations, which will include both uses of the Ambrosian rite. Solemn vespers, led by His Eminence Dionigi Cardinal Tettamanzi, will open the conference. Liturgies will be held in the Basilica of St. Ambrose, the Metropolitan Cathedral, and another still-to-be-determined site.

Arrangements are being made for an organized afternoon of cultural visits, allowing participants to explore such places as the Bibliotheca Ambrosiana and the church of San Maurizio al Monastero Maggiore.

At this time, the impressive list of speakers includes: His Eminence Robert Cardinal Sarah, His Eminence Raymond Leo Cardinal Burke, Abbot Christopher Zielinski, Fr. Uwe Michael Lang, C.O., Dom Alcuin Reid, Prof. Jennifer Donelson, Msgr. Claudio Magnoli, Fr. Vincenze Nuara, O.P., Msgr. Timothy Verdon, Prof. Angelo Rusconi, Prof. Cesare Alzati, Msgr. Marco Navoni, Msgr. Ennio Apeciti, and Dr. Andrea Gramegna.

The conference website is set to launch in December, with registration opening by the end of January. In the meantime, the best way to stay informed of developments on Sacra Liturgia Milano 2017 is via their Facebook page.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Raymond Cardinal Leo Burke, Reform of the Reform, Sacra Liturgia Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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