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Views from the Choir Loft

Cardinal Sarah’s Missing Paragraph…

Jeff Ostrowski · October 3, 2016

ISHOP RENÉ GRACIDA recently posted an article (“I Used To Be A Human Being”) on his personal blog. The author was someone I never heard of—Andrew Sullivan—but I found his article intriguing (and eerily true). Speaking of cell phone addiction, I personally have never been a fan of photography during Mass, and if you carefully examine the speech given by Cardinal Sarah on 5 July 2016, you’ll notice that he condemns in the strongest terms priests taking pictures during Mass. 1

Cardinal Sarah initially said nothing about the laity taking pictures at Mass.

But after the conference ended, Cardinal Sarah published a revised version that included this paragraph:

It is equally a scandal and profanation for the lay faithful to take photographs during the celebration of the Holy Eucharist. They should participate through prayer and not by spending their time taking photos!

The explanation given was that he did not have time to deliver the full comments. 2 However, because pictures were taken during a Mass offered by Cardinal Sarah at the conference where his comments were delivered—and this photograph is particularly beautiful—his comments require interpretation.

In my view, taking judicious photographs at Mass seems acceptable if the intention is to show our brothers and sisters that a particular parish might be worth exploring, and that reverence for the Blessed Sacrament can be found there. This should be only be done with the celebrant’s permission.

Apropos recordings at Mass, the FSSP.la choir was asked to sing for an 8:00am Saturday Mass during a conference by the Society for Catholic Liturgy, which ended last Saturday.

Here we are warming up:


The following are snippets from the actual Mass. Somebody had a pocket recorder in the Soprano section, which means the Soprano line sometimes comes through too loud. I apologize for the poor quality of the recording, but I hope anyone looking to join a Roman Catholic choir will give us a look:

    * *  Mp3 “Live” • KYRIE (Guerrero)

    * *  Mp3 “Live” • GLORIA (Viadana)

    * *  Mp3 “Live” • ALLELUIA (Guerrero)

    * *  Mp3 “Live” • HYMN TO THE SACRED TRINITY (Guerrero)

    * *  Mp3 “Live” • SANCTUS (Guerrero)

    * *  Mp3 “Live” • AGNUS DEI (Guerrero)

In spite of my aversion to photography during Mass (SEE ABOVE), I did snap a quick shot:

973 Society for Catholic Liturgy


Afterwards I was sorry more wasn’t recorded. Some of the contemporary pieces (as well as the SATB hymns) were sung very well. But that’s how the cookie crumbles!



NOTES FROM THIS ARTICLE:

1   If you scroll to the very bottom of an article by Daniel Craig, you’ll see the shocking photograph that may have been the catalyst for Cardinal Sarah’s comments.

2   Some have suggested Cardinal Sarah omitted that paragraph in order not to offend those at the conference, because photographs were being taken—just as they are routinely taken at the Vatican. While I have no reason to doubt the official explanation, I couldn’t help noticing that the missing paragraph would have required only about 11 seconds to include.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Photographs At Mass, Photos During Mass, Reform of the Reform, Robert Cardinal Sarah, Society for Catholic Liturgy Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The Night Office—Nocturns or Matins—except for Holy Week, Easter Octave, and Christmas, has never appeared in the Vatican edition. The larger part of the mediaeval repertory for the Office thus remains still unpublished in the Vatican edition, and is likely to remain so, for the obvious reason that almost no cathedral chapters or monastic choirs sing the Night Office regularly today.”

— John Merle Boe (1968)

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