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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Wonderful Things are Happening in Detroit!

Dr. Lucas Tappan · October 11, 2016

LMT Sacred Heart Seminary WO WEEKS AGO I spent several days at Sacred Heart Major Seminary, Detroit, presenting at, and also attending, a workshop entitled In Service of the Sacred, and I can tell you there are wonderful things going on in the Archdiocese of Detroit. This is only possible because of the many wonderful and talented people involved there with music, including Mr. Matt Simpson, Mrs. Susan Lindquist, Mr. Joe Balisteri (Director of Music for the Archdiocese), Dr. Ron Prowse (Director of Music for Sacred Heart Major Seminary) and of course, Archbishop Allen Vigneron.

I gave a talk entitled, A Firm Foundation: Catholic Choral Education and the Schola Cantorum, in which I spoke about the importance of good sacred music in the formation of the moral imagination of our youth and how that happens in a “choir school.” Afterward, 35 grade school students traipsed into the room and I gave them a 30 minute crash course in the basics of sight-singing. At the end they were able to tackle a short melody on their own. However, even more exciting were two developments I learned of while in Detroit.

First, the archbishop has created a task force at the diocesan level to chart a course for the realization of the Second Vatican Council’s vision for sacred music within the archdiocese, especially at the parish level. The task force hopes to eventually compile a diocesan “Gradual,” which will be more of a repository of readily available sources in English and Latin for singing the Propers of the Mass.

The second wonderful thing I learned about was the great work of Dr. Prowse, who has almost completed composing music for the texts of the Entrance and Communion antiphons found in the Roman Missal, which he has set to Gregorian inspired melodies as opposed to plain psalm tones. The work also includes Responsorial Psalms for the week, Alleluia chants from the Graduale Simplex and a short Kyriale:

    * *  PDF Download • A short sample of Dr. Prowse’s project

He has been using his settings at the seminary and many of his former seminarians have been pushing him to finish! I think it will prove to be a great resource for any group wishing to sing the Entrance and Communion antiphons at daily Mass, especially since those texts are the ones already found in many of the mainstream music collections used by parishes, such as Breaking Bread. My kuddos to Dr. Prowse! I can’t wait to see the rest of his work and to put them to good use.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Leave the Mass alone. Our churches are full—the Protestants, in spite of their vernacular, far otherwise.”

— Cardinal Godfrey (one of the Vatican II fathers)

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