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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Power of Sacred Music

Andrew Leung · September 15, 2016

CTL The Power of Sacred Music ISITING THE SICK is a very important part of the ministry of a Catholic priest. Last Sunday, I visited the hospital with the bishop and seminarians of Macau. Fr. Law, a priest who was in the hospital for three weeks, is 83 years old and has been sick for 18 years. Fr. Law is a church historian and the dean of the cathedral chapter (canons, which, by the way, can only be found in two places in Asia: the Diocese of Macau and the Archdiocese of Manila).

We were told, before our visit, that Fr. Law wasn’t doing too well, he was loosing his memory and his mind was clouded. But that was not the case when we get to the hospital, he was awake and he recognized the bishop right away. He was very happy to see us and welcomed us with his beautiful smile. After a little bit of chatting, the bishop suggested that we, the seminarians, sing Salve Regina for him. Fr. Law was very excited about the singing and started to make the Sign of the Cross so that we can begin our prayer to the Blessed Virgin together.

The miracle happened after the Salve Regina. Fr. Law’s memory came back suddenly and he started to tell stories and sing pieces of music that he used to taught in the seminary. He was the Gregorian chant and choral instructor at St. Joseph Seminary in Macau. Once we started singing in the hospital room, we couldn’t stop singing. We sang Ecce Sacerdos in the presence of the bishop, how appropriate is that! When we got to Cesar Franck’s Panis Angelicus, father even started singing in harmonies.

I don’t usually post stories like this one on the blog, but I think this amazing experience is worth sharing. This experience of mine proved that true sacred music brings hope and joy to the sufferings. This story shows how music can be connected deeply with our minds and souls. Fr. Law was discharged from the hospital two days later and his mind was cleared up after singing with us.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

No concession should ever be made for the singing of the Exsultet, in whole or in part, in the vernacular.

— ‘Fr. Augustin Bea, S.J. in the years immediately before the Second Vatican Council’

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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