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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The First Catholic Diocese in East Asia

Andrew Leung · September 1, 2016

CTL Diocese of Macau ODAY, I am posting from Macau, China, for the first time. Thanks to your prayers, the move was very smooth. Since this is my first blog post from Macau, I would like to introduce to you this historical Catholic Diocese.

The Diocese of Macau is the first Roman Catholic diocese in East Asia. It was established by Pope Gregory XIII on January 23, 1576. It originally covered China, Japan, Korea and Vietnam. It was a suffragan diocese of the Archdiocese of Goa, in Portuguese India. Nowadays, the diocese only cover the city of Macau, which is a special region of China like Hong Kong. Macau was a Portuguese colony prior to its return to the Chinese government in 1999. It is an exempt diocese that subjects directly to the Holy See. The patron saints of the diocese is St. Francis Xavier and St. Catherine of Siena. The current bishop is of Macau is Bishop Stephen Lee, who is also a member of the Priestly Society of the Holy Cross (Opus Dei).

One of the things that Macau is known for is its cultural heritage. Since it was a colony of Portugal, the Catholic faith became part of the culture and heritage. Even the most famous landmark of the city was a Catholic church. In the thumbnail picture of this blog post, you can see the Ruins of St. Paul’s, which is the façade of the Church of Mater Dei. It was built in the 16th century and was destroy by fire in 1835. Its ruins is now the most famous landmark of Macau.

Macau has some of the most beautiful churches in the world. The Historical Center of Macau is inscribed on the World Heritage List and over half of the churches in Macau are considered Cultural Heritage. The government is responsible for the preservations of these church buildings and they are never to be destroy. The “three oldest parish” were established in 1500s. And of course, many beautiful art works, vessels and other metal works, vestments and statues can be found in Macau. There are currently two exhibition halls that show old sacred items from churches in Macau and a new museum is under construction right now. Here are some of the beautiful churches in Macau:

CTL Macau Churches 1 CTL Macau Churches 2 CTL Macau Churches 3 CTL Macau Churches 4 CTL Macau Churches 5 CTL Macau Churches 6 CTL Macau Churches 7 CTL Macau Churches 8 CTL Macau Churches 9


You can also find the footsteps of many saints in Macau including St. Francis Xavier, Bl. Mother Teresa, St. Louis Versiglia and many other Chinese Martyrs. Some of them have lived and served in Macau, and some have visited for different reasons. Thanks to the intercessions of these saints, Macau kept many of the Catholic traditions till the present day. There are two processions each year, on Good Friday and the Feast of Our Lady of Fatima, that are sponsored by the government. These processions are not merely religious devotions, but they are also considered cultural events, which are perfect for evangelization. Many non-Catholics, and even tourists, participate in the two annual processions.

I am very thankful that God send me here, to study in Macau. I hope that you would consider visiting Macau if you ever go on a trip to Asia.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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