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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for August 2016

Dr. Lucas Tappan · August 31, 2016

Give Yourself a Boost in the New Choral Year

The grandmother of 5 choristers informed me that one of her granddaughters told her rehearsal wasn’t long enough—it seemed to be over just as it was starting!

Dr. Alfred Calabrese · August 31, 2016

Has Our Catholic Culture Been Completely Dismantled?

Art is not a form of propaganda; it is a form of truth.

Jeff Ostrowski · August 30, 2016

Does Our Enlightened Age Still Need “Sacred” Music?

This short clip from “It’s a Wonderful Life” helps us understand…

Jeff Ostrowski · August 28, 2016

Beautiful Manuscript • Priest Offering Mass

I’d like to know more about this manuscript.

Fr. David Friel · August 28, 2016

On the Spirit of Conservation

A Reflection on the National Parks, Sacred Architecture, and “Laudato Si”

Jeff Ostrowski · August 27, 2016

Musical Resources • 15th Sunday after Pentecost

“Let Thy continual pity, O Lord, cleanse and fortify Thy Church…”

Andrew Leung · August 27, 2016

The Reason for Choir — Paul Mealor

Welsh composer, Paul Mealor, talks about the importance of choral music.

Richard J. Clark · August 26, 2016

Communion Antiphons for Advent & Christmas • NEW • World Library Publications

World Library Publications has published settings of Communion propers for Advent and Christmas. Listen here to beautiful recordings directed by Paul French.

Jeff Ostrowski · August 25, 2016

The Eight Gregorian Psalm Tones (PDF)

I’m sick of looking for this chart online!

Jeff Ostrowski · August 25, 2016

“Simple Kyriale” for Dumb Organists Like Me!

Fr. Valentine used to say: “You can play 100 notes right, and miss just one—and people will criticize you for that wrong one!”

Andrew Leung · August 25, 2016

I Am Moving Again!

I will be studying at St. Joseph Seminary in the historical Diocese of Macau, China.

Jeff Ostrowski · August 24, 2016

Can You Hear The Difference?

Do you prefer polyphony recorded by just my voice, or mixed with “real” voices?

Dr. Lucas Tappan · August 23, 2016

A New Choral Year Off to the Races

If you aren’t used to working with children, it can be a bit daunting on your first day…

Jeff Ostrowski · August 23, 2016

“Ad Orientem” • Why I’m Rejoicing over Sloppy Errors in the Catholic Herald

His assertion that “smoking out enemies” is best done by appointing them to high positions in the Vatican is absurd.

Fr. David Friel · August 21, 2016

Essence, Form, Experience

Fourth Annual Art of the Beautiful Lecture Series

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

Recent Posts

  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations
  • False Accusations
  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”
  • “Can Choral Music Survive?” • 3 Reasons It Will

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