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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why is a Raven Like a Writing Desk?

Jeff Ostrowski · July 30, 2016

N “ALICE IN WONDERLAND,” author Lewis Carroll created a riddle which, by design, had no solution: “Why is a raven like a writing desk?” But fans pressed him relentlessly for an answer, so he thought up a solution to quiet them: “Because it can produce a few notes, though they are very flat; and it is nevar put with the wrong end in front!” Unfortunately, Carroll’s editors “corrected” his spelling of NEVER, spoiling his solution (“Raven” spelled backwards).

It sounds like Carroll’s editors had a little bit of piccoluomini in them … we’ve often talked about the liturgical “experts” who tried to be smarter than everybody else. Many were scandalized by the sloppy methods of the reformers. For example, Cardinal Antonelli (Concilium Secretary before Bugnini) wrote:

“The Consilium is merely an assembly of people, many of them incompetent, and others well advanced on the road to novelty. The discussions are extremely hurried. Discussions are based on impressions and the voting is chaotic. […] Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there. This negative mentality is unjust and pernicious, and unfortunately, Paul VI tends a little to this side. They have all the best intentions, but with this mentality they have only been able to demolish and not to restore.”

The reformers wanted to restore the “pristine” forms of liturgy, yet moved the Sequence before the Alleluia, even though the Sequence developed as something which comes after the Alleluia as even its very name reminds us!   A much more serious abuse was their treatment of the poetic texts in which the meter was destroyed for ideological reasons. Further reading on those two examples can be found here:

      * *  Why was the Sequence moved? — Full Documentation

      * *  Destruction of Rhymes in Sequences — Cf. Section 2 of 3


The Vatican II reforms, however, were not the first Roman liturgical decisions to bother some Catholics. As I noted in 2012, it’s interesting to read the private correspondence of Adrian Fortescue, writing to Stanley Morison on 24 November 1919:

“To them it is not the history nor the development of rites that matter a bit, it is the latest decision of the Congregation of Rites. These decisions are always made by a crowd of dirty little Monsignori at Rome in utter ignorance of the meaning or reason of anything. To the historian their decisions are simply disgusting nonsense, that people of my kind want simply to ignore.”

PEOPLE HAVE BEGUN TO LOOK more critically at the reforms of Vatican II, and this is a good thing. If there were abuses in the past, let’s correct them! Rome did exactly that in the early 2000s, when ICEL was completely reformed. 1

One of the curious things about the Reform was a tendency toward “change for change’s sake.” Even before Vatican II, this tendency could be found. Cardinal Antonelli wrote the following about Cardinal Anselmo Albareda (a member of the Consilium):

“Father Albareda was of the same mind. He stressed that what was required by the principles of reform, even if at times costly, obliged that the present situation be suspended, even if everybody was attached to it.”   [!!!]

My humble opinon: If everyone is attached to it, leave it alone!


This article originally appeared on 28 April 2014. It has not been altered.



NOTES FROM THIS ARTICLE:

1   Publications by ICEL were called by the Vatican “dangerous to the faith” in the late 1990s, and that’s why Rome completely overhauled the organization. For more on the ICEL Psalter, see Reform of the Reform: A Perspective.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

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