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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why is a Raven Like a Writing Desk?

Jeff Ostrowski · July 30, 2016

N “ALICE IN WONDERLAND,” author Lewis Carroll created a riddle which, by design, had no solution: “Why is a raven like a writing desk?” But fans pressed him relentlessly for an answer, so he thought up a solution to quiet them: “Because it can produce a few notes, though they are very flat; and it is nevar put with the wrong end in front!” Unfortunately, Carroll’s editors “corrected” his spelling of NEVER, spoiling his solution (“Raven” spelled backwards).

It sounds like Carroll’s editors had a little bit of piccoluomini in them … we’ve often talked about the liturgical “experts” who tried to be smarter than everybody else. Many were scandalized by the sloppy methods of the reformers. For example, Cardinal Antonelli (Concilium Secretary before Bugnini) wrote:

“The Consilium is merely an assembly of people, many of them incompetent, and others well advanced on the road to novelty. The discussions are extremely hurried. Discussions are based on impressions and the voting is chaotic. […] Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there. This negative mentality is unjust and pernicious, and unfortunately, Paul VI tends a little to this side. They have all the best intentions, but with this mentality they have only been able to demolish and not to restore.”

The reformers wanted to restore the “pristine” forms of liturgy, yet moved the Sequence before the Alleluia, even though the Sequence developed as something which comes after the Alleluia as even its very name reminds us!   A much more serious abuse was their treatment of the poetic texts in which the meter was destroyed for ideological reasons. Further reading on those two examples can be found here:

      * *  Why was the Sequence moved? — Full Documentation

      * *  Destruction of Rhymes in Sequences — Cf. Section 2 of 3


The Vatican II reforms, however, were not the first Roman liturgical decisions to bother some Catholics. As I noted in 2012, it’s interesting to read the private correspondence of Adrian Fortescue, writing to Stanley Morison on 24 November 1919:

“To them it is not the history nor the development of rites that matter a bit, it is the latest decision of the Congregation of Rites. These decisions are always made by a crowd of dirty little Monsignori at Rome in utter ignorance of the meaning or reason of anything. To the historian their decisions are simply disgusting nonsense, that people of my kind want simply to ignore.”

PEOPLE HAVE BEGUN TO LOOK more critically at the reforms of Vatican II, and this is a good thing. If there were abuses in the past, let’s correct them! Rome did exactly that in the early 2000s, when ICEL was completely reformed. 1

One of the curious things about the Reform was a tendency toward “change for change’s sake.” Even before Vatican II, this tendency could be found. Cardinal Antonelli wrote the following about Cardinal Anselmo Albareda (a member of the Consilium):

“Father Albareda was of the same mind. He stressed that what was required by the principles of reform, even if at times costly, obliged that the present situation be suspended, even if everybody was attached to it.”   [!!!]

My humble opinon: If everyone is attached to it, leave it alone!


This article originally appeared on 28 April 2014. It has not been altered.



NOTES FROM THIS ARTICLE:

1   Publications by ICEL were called by the Vatican “dangerous to the faith” in the late 1990s, and that’s why Rome completely overhauled the organization. For more on the ICEL Psalter, see Reform of the Reform: A Perspective.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

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“It is required of a man that he should share the passion and action of his time at peril of being judged not to have lived.”

— Oliver Wendell Holmes

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