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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why is a Raven Like a Writing Desk?

Jeff Ostrowski · July 30, 2016

N “ALICE IN WONDERLAND,” author Lewis Carroll created a riddle which, by design, had no solution: “Why is a raven like a writing desk?” But fans pressed him relentlessly for an answer, so he thought up a solution to quiet them: “Because it can produce a few notes, though they are very flat; and it is nevar put with the wrong end in front!” Unfortunately, Carroll’s editors “corrected” his spelling of NEVER, spoiling his solution (“Raven” spelled backwards).

It sounds like Carroll’s editors had a little bit of piccoluomini in them … we’ve often talked about the liturgical “experts” who tried to be smarter than everybody else. Many were scandalized by the sloppy methods of the reformers. For example, Cardinal Antonelli (Concilium Secretary before Bugnini) wrote:

“The Consilium is merely an assembly of people, many of them incompetent, and others well advanced on the road to novelty. The discussions are extremely hurried. Discussions are based on impressions and the voting is chaotic. […] Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there. This negative mentality is unjust and pernicious, and unfortunately, Paul VI tends a little to this side. They have all the best intentions, but with this mentality they have only been able to demolish and not to restore.”

The reformers wanted to restore the “pristine” forms of liturgy, yet moved the Sequence before the Alleluia, even though the Sequence developed as something which comes after the Alleluia as even its very name reminds us!   A much more serious abuse was their treatment of the poetic texts in which the meter was destroyed for ideological reasons. Further reading on those two examples can be found here:

      * *  Why was the Sequence moved? — Full Documentation

      * *  Destruction of Rhymes in Sequences — Cf. Section 2 of 3


The Vatican II reforms, however, were not the first Roman liturgical decisions to bother some Catholics. As I noted in 2012, it’s interesting to read the private correspondence of Adrian Fortescue, writing to Stanley Morison on 24 November 1919:

“To them it is not the history nor the development of rites that matter a bit, it is the latest decision of the Congregation of Rites. These decisions are always made by a crowd of dirty little Monsignori at Rome in utter ignorance of the meaning or reason of anything. To the historian their decisions are simply disgusting nonsense, that people of my kind want simply to ignore.”

PEOPLE HAVE BEGUN TO LOOK more critically at the reforms of Vatican II, and this is a good thing. If there were abuses in the past, let’s correct them! Rome did exactly that in the early 2000s, when ICEL was completely reformed. 1

One of the curious things about the Reform was a tendency toward “change for change’s sake.” Even before Vatican II, this tendency could be found. Cardinal Antonelli wrote the following about Cardinal Anselmo Albareda (a member of the Consilium):

“Father Albareda was of the same mind. He stressed that what was required by the principles of reform, even if at times costly, obliged that the present situation be suspended, even if everybody was attached to it.”   [!!!]

My humble opinon: If everyone is attached to it, leave it alone!


This article originally appeared on 28 April 2014. It has not been altered.



NOTES FROM THIS ARTICLE:

1   Publications by ICEL were called by the Vatican “dangerous to the faith” in the late 1990s, and that’s why Rome completely overhauled the organization. For more on the ICEL Psalter, see Reform of the Reform: A Perspective.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The training in singing, to sing in a chorus, is not only an exercise of external listening and of the voice; it is also training for interior listening, listening with the heart, an exercise in training for life and for peace.”

— Pope Benedict XVI

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  • Funeral Music “Template” • For Families

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