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Views from the Choir Loft

Showdown in Arkansas over “Ad Orientem”

Jeff Ostrowski · July 17, 2016

305 AD ORIENTEM EVERAL PEOPLE have sent me copies of a letter dated 14 July 2016. This shocking letter—sent to all priests and deacons in Little Rock by BISHOP ANTHONY B. TAYLOR—orders that Mass “will always be celebrated facing the people in our diocese.”

When the 2000 (2002) Missal was promulgated, the Vatican’s CDW was asked whether bishops have authority to forbid “ad orientem” celebration. Dated 10 April 2000, the CDW response was unequivocal:

HIS DICASTERY [i.e. the Vatican’s Congregation for Divine Worship] wishes to state that Holy Mass may be celebrated versus populum or versus apsidem. Both positions are in accord with liturgical law; both are to be considered correct.

There is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

This letter (PROTOCOL NO. 564/00/L) specifically addresses whether a bishop can forbid “ad orientem.” They stated that, while exercising his rightful role as “moderator of the Sacred Liturgy in the particular Church entrusted to his pastoral care,” the Diocesan Bishop can neither “exclude nor mandate the use of a legitimate option.” [Those italics are by the CDW.]

This letter was sent by the same congregation responsible for drafting the 2000 (2002) Missal and GIRM, which was approved by Pope St. John Paul II. The letter was signed by Cardinal Medina, CDW Prefect, and Archbishop Tamburrino, CDW Secretary. I have no idea why so many people commenting on this issue refuse to make reference to it.

BISHOP TAYLOR MADE REFERENCE to a letter dated 12 July 2016 from Most Rev’d ARTHUR J. SERRATELLI, chairman of the USCCB liturgy committee. Specifically, Bishop Serratelli said the 2000 (2002) GIRM shows “a preference for the celebrant’s facing the people.” To support this claim, Bishop Serratelli cited paragraph 299 of the GIRM … but the English translation he used was defective.

Here’s the correct translation of GIRM paragraph 299:

2000 (2002) Latin : 299. Altare exstruatur a pariete seiunctum, ut facile circumiri et in eo celebratio versus populum peragi possit, quod expedit ubicumque possibile sit.

Correct Translation : 299. Wherever possible, the altar should be built separated from the wall, leaving enough space for the priest to walk around it and making it possible to celebrate facing the people.

But the translation Bishop Serratelli cites in his letter is grammatically impossible. Specifically, the “QUOD” phrase cannot modify “celebratio versus populum” since “quod” is neuter while “celebratio” is feminine—as was explained by Dr. J. W. Hunwicke of Lansing College (Sussex, England) in a 2001 article. Many others agree, such as Dr. Richard Cipolla, Chair Emeritus of the Classics Department of Brunswick School, who specifically endorsed this view on 14 July 2016. Fr. Reginald Foster, formerly the Pope’s Latinist, also specifically endorsed Hunwicke’s view in April of 2006. 1

Bishop Serratelli correctly affirms that the 2000 (2002) Missal tells priests when to turn toward the people and when to turn back toward the altar. Surely instructions contradicting such rubrics would not be found in the section dedicated to building (and consecrating) new churches and altars—but that’s where paragraph 299 occurs. 2

Some will struggle to believe an approved English translation could be incorrect. Those people should examine how the rubric “quando celebratur Baptisma” was translated in the 1970 and 1998 editions of the Lectionary. The 1970 got it right, while the 1998 mangled it horribly. A more famous example was an American GIRM adaptation for paragraph 48, which was so mutilated by the USCCB it became incomprehensible, as Dr. Christoph Tietze explained in 2006.

307 Cardinal Sarah liturgy I WILL RETURN TO THE ARKANSAS SITUATION in a moment, but first let me say that Mr. Andrew Leung’s article makes a salient point. When “ad orientem” is used in the Ordinary Form, the priest only faces away from the congregation for about five minutes total.

I would also like to say that this so-called “controversy” began owing to various communications made by Cardinal Sarah, the CDW Prefect appointed in 2014 by Pope Francis. I consider these communications to be quite powerful, yet able to be understood by everyone:

    * *  “Reform of the Reform” (July 2016)

    * *  “A Letter on the Liturgy” (June 2015)

    * *  “Silent Action of the Heart” (June 2015)

Regarding Fr. Lombardi’s 11 July 2016 statement, I believe Fr. Mark Drew was probably correct to label it as “inept.” For example, Fr. Lombardi “clarifies” that no new legislation on AD ORIENTEM is coming in Advent; yet, Cardinal Sarah had said absolutely nothing—not one word—about new legislation.

SOME HAVE ALREADY ASCRIBED bad intentions to Bishop Taylor, but I disagree. I suspect he sent his letter without knowing the CDW had specifically said the diocesan bishop cannot outlaw “ad orientem.” I believe that once Bishop Taylor becomes aware of that statement, he will issue a retraction. Furthermore, I strongly suspect Bishop Serratelli will retract his letter when the correct translation of paragraph 299 is brought to his attention.

The reality is, everyone has deficiencies, no matter how brilliant they may otherwise be. Bishop Taylor has a doctorate in biblical theology, which has very little to do with liturgical items. That might help explain why he misspells “ad orientem.” To make matters worse, there has been excessive liturgical legislation since the 1960s: thousands of pages!

If bishops want their priests to be faithful to the GIRM, why do they consistently ignore certain sections? For example, the current GIRM requires approval by the local bishop for any song replacing the Introit, Offertory, or Communion antiphon. Yet, this requirement is almost always ignored. Indeed, 85% of Catholic churches replace the assigned propers with all kinds of songs lacking approval by the local bishop—and many contain lyrics written by non-Catholics!


A discussion about this post is underway.



NOTES FROM THIS ARTICLE:

1   From what I can tell, the other translations of the GIRM agree with the Hunwicke translation, for example:

FRENCH: (299) Il convient, partout où c’est possible, que l’autel soit érigé à une distance du mur qui permette d´en faire aisément le tour et d´y célébrer face au peuple.

GERMAN: (299) Der Altar ist von der Wand getrennt zu errichten, so dass man ihn leicht umschreiten und die Feier an ihm dem Volk zugewandt vollzogen werden kann. Das empfiehlt sich überall, wo es möglich ist.

POLISH: (299) Ołtarz winien być zbudowany w oddaleniu od ściany, aby łatwo można było obchodzić go dookoła i celebrować przy nim w stronę ludu. Wypada go tak umieścić wszędzie, gdzie to jest możliwe.

2   Indeed, the “Quod” clause was added in 2000 to stop the destruction of altars already in existence. This becomes even clearer when one examines the history of this paragraph.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Authentic Liturgical Renewal Reform, GIRM Paragraph 299, Mass Facing The People, Reform of the Reform, Robert Cardinal Sarah, Versus Populum Altars Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
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    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

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