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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Did Fr. Lombardi Contradict Cardinal Sarah?

Jeff Ostrowski · July 12, 2016

331 Fr. Lombardi Ad Orientem HE PRESS OFFICE OF THE VATICAN on 11 July 2016 released a statement which was probably the final message by Fr. Federico Lombardi before he retired. Many who are angry about Cardinal Sarah’s public statements are (predictably) acting as though Fr. Lombardi has rebuked Cardinal Sarah. I find such assertions absurd.

Let me share a few brief reflections, although I must be honest: I’ve only read the statement twice. Therefore, my reflections will be cursory. (But don’t curse when you read them!)

Fr. Lombardi cited paragraph 299 of the GIRM, which speaks about how an altar should be constructed when new churches are built. The English translation I saw was erroneous, but the French version seems to be correct, as far as I can tell. (My French is horrible.)

Fr. Lombardi should have quoted the statement from the Vatican Congregation for Divine Worship, which put an end to discussion on this point. Cardinal Sarah’s congregation was responsible for creating the 2000 (2002) GIRM and they provide its definitive interpretation. On 10 April 2000, addressing this very question, the congregation stated:

“This Dicastery [i.e. the Congregation for Divine Worship] wishes to state that Holy Mass may be celebrated versus populum or versus apsidem. Both positions are in accord with liturgical law; both are to be considered correct.”

“It should be borne in mind that there is no preference expressed in the liturgical legislation for either position. As both positions enjoy the favor of law, legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.”

The English translation of Fr. Lombardi—not the French—contains grammatical issues which preclude the notion that the current books favor “versus populum” celebration.

Fr. Lombardi’s statement “clarifies” that no new legislation on ad orientem will be released in Advent. My response would be, “That clarification is not needed because Cardinal Sarah said absolutely nothing—not one word—about new legislation coming in Advent.”

Fr. Lombardi’s statement “clarifies” that Pope Francis “mentioned” that the Extraordinary Form must not eradicate the Ordinary Form. My response would be, “That clarification is not needed because nobody thinks that’s going to happen anytime soon.”

Fr. Lombardi said it’s better to avoid using the phrase REFORM OF THE REFORM because (in his words) this phrase “may at times give rise to error.” Some were surprised by his words, but I was not. I don’t want to scandalize anyone, but Rome moves very slowly and can even—gasp!—be political. Moreover, the Roman Pontiff is always careful never to publicly step on the toes of any predecessor. Rome usually will only focus on the positive. For example, when Pope Paul VI promulgated the liturgical changes, he didn’t talk about how “bad” (in his view) the old liturgy had been. Similarly, for a Roman Pontiff to utter the phrase “reform of the reform” seems unlikely in the near future because it doesn’t match how way popes emphasize the positive and avoid criticizing their predecessors. Perhaps a better phrase would be the one Bishop René H. Gracida uses: “The Renewal of the Renewal.”

That being said, the words of Fr. Lombardi (“may at times give rise to error”) are not very convincing. Which times? Which errors? I’ll be interested to see whether the highest ranking liturgical officer of Pope Francis uses that phrase again. I suppose Cardinal Sarah could make a point of using that phrase so he can “Hagan lío.”

I must admit that I put very little stock in the words of the Vatican Press Office. I have seen many instances over the past years where their “clarifications” only confuse matters.

For example, Fr. Lombardi never condemns the REFORM OF THE REFORM, he says the “phrase” can sometimes confuse. Properly understood (according to what Fr. Lombardi wrote) it would not be problematic. Yet people are coming away with the opposite impression! Throughout the papacy of Pope Francis, I’ve noticed a surprising lack of understanding of how the media works. The results from that lack of understanding have often been unfortunate.

As far as I know—and perhaps a priest can correct me if I’m wrong—priests who celebrate the Ordinary Form are bound by the actual rubrics in those books. They are not allowed to make liturgical changes based on a press conference by Fr. Lombardi. The Congregation for Divine Worship remains in charge of interpreting the liturgical laws which they write (and then submit for approval by the pope). Cardinal Sarah is Prefect of the CDW.

As we have repeated over and over on our blog, no significant changes have been made to the rubrics of the Ordinary Form since it was promulgated in 1970. Period. I know this sounds hard to believe and “boring” but it’s true.

Finally, to those who have claimed that Cardinal Sarah, Prefect of the CDW, “lied” about what Pope Francis told him, I encourage those people to send me an email. I have a bridge I’d like to sell them.

I’m not trying to be snarky here, because there’s way too much snark on the internet. That being said, somebody should inform the editor of America (a Jesuit Magazine) that it’s “ad orientem” not what he wrote:

332 Fr. James Martin SJ


Regarding my thoughts on this matter, as with all my articles, feel free to “take ’em or leave ’em.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

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  • “Dies Irae” • A Monstrous Translation

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