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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

It’s not about talent

Veronica Brandt · June 25, 2016

Veronica at the keyboard AST WEEK I READ A COMMENT exhorting church musicians to be grateful for their God-given talents and the joy of playing music.

It may have been the emotional turmoil of third trimester pregnancy, or maybe some leftover exhaustion from a recent interstate trip, but suddenly I was sobbing into my arm in a flood of self-pity.

You see, I may be the worst aspiring organist I know who has the temerity to play at Mass. My fingers seem to be unable to stick to the right key signature and require 150% attention to stay on track. The times I get things right are generally the result of hours of practice in my “spare time”.

My singing voice may be passable, but I know enough to wish for some proper voice coaching as well as more practice singing together with the choir. We never seem to get up to “blending” – it takes long enough to hit the notes, let alone work on a good sound.

In short, talent just doesn’t come into it. The thing that makes music happen is lots and lots of work.

So many people will not try joining the choir under the blind assertion that they don’t have the talent. I don’t need talented singers – I need ordinary singers with the ability to attend weekly practice. That would be wonderful.

This idea carries over into other areas. Working on web pages has some of the same mystique and the same proportion of work to talent required. Today I formatted Charcoal Management 101 for my husband’s art shop. My eldest son – who also forms half my regular choir – helped with some of the more repetitive work while I squeezed in some more keyboard practice.

Drawing itself is another area where people often sigh about how talented someone is to draw so well. The facility in drawing is earned over many years of practice. There’s a great story about Picasso:

Legend has it that Pablo Picasso was sketching in the park when a bold woman approached him. “It’s you — Picasso, the great artist! Oh, you must sketch my portrait! I insist.”

So Picasso agreed to sketch her. After studying her for a moment, he used a single pencil stroke to create her portrait. He handed the women his work of art.

“It’s perfect!” she gushed. “You managed to capture my essence with one stroke, in one moment. Thank you! How much do I owe you?”

“Five thousand dollars,” the artist replied.

“B-b-but, what?” the woman sputtered. “How could you want so much money for this picture? It only took you a second to draw it!”

To which Picasso responded, “Madame, it took me my entire life.”

A church musician’s work may well be priceless. We don’t need to have gratitude for our natural talent, though talent can make life easier. The big honour is to serve God at the summit and source of Christian life. Servire Deo regnare est. To serve God is to reign.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It is clear the Church is facing a grave crisis. Under the name of “the new Church” and “the post-conciliar Church,” a different Church from that of Jesus Christ is now trying to establish itself: an anthropocentric society threatened with imminent apostasy which is allowing itself to be swept along in a movement of general abdication under the pretext of renewal, ecumenicism, or adaptation.

— Cardinal Henri de Lubac (29 August 1967)

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