Views from the Choir Loft

Essential Resources • Psalm Tones for Mass Propers

Jeff Ostrowski · June 15, 2016

Additional Psalm Verses for the Communion antiphons:

* * [40 pages] • PSALMS FOR COMMUNION (Solesmes, 1957)

* * [232 pages] • VERSUS PSALMORUM ET CANTICORUM (Solesmes, 1962)

* * [307 pages] • Richard Rice «COMMUNIO» (CMAA, 2008)

Notice that “Versus Psalmorum” (1962) also contains extra verses for the introit!

Simple Settings for the Gradual, Tract, and Alleluia verse:

* * [257 pages] • CHANTS ABRÉGÉS (Solesmes, 1930)

* * [290 pages] • CHANTS ABRÉGÉS (Solesmes, 1955)

* * [111 pages] • LIBER BREVIOR EXCERPT (Solesmes, 1954)

The Church Music Association of America has also posted a fabulous resource (“Simplified Graduale”) by Richard Rice in booklet form and also in portrait.

Extra Verses for the Offertory chants:

* * [186 pages] • FULL VERSES by Carl Ott (1935)

* * [36 pages] • SIMPLE OFFERTORY VERSES (Richard Rice)

As I mentioned in my Symposium speech, those interested in adapting the Gregorian psalm tones for English should first study the above resources to understand Gregorian psalmody. Moreover, they should visit the Lalande Online Library and download all the books called “Psalmi in Notis.”

Most of these files were scanned & posted by the CMAA.

The CMAA new policy (22 April 2015) allows reposting when credit is given.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Music List” • 19th in Ordinary Time (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.

—Jeff Ostrowski

This Sunday’s Communion Antiphon

This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.

—Jeff Ostrowski

Using “Ye” Vs. “You” Correctly

Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed