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Views from the Choir Loft

Archives for June 2016

Dr. Alfred Calabrese · June 30, 2016

The Positive Impact Of Parish Events

These things must begin at the parish level.

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Dr. Lucas Tappan · June 30, 2016

Do My Eyes Deceive Me?

I’ve often told my choir members that before I die they will be singing from music displayed on some form of a tablet, but I never thought I’d see the Capella Sistina blazing the trail!

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Jeff Ostrowski · June 29, 2016

“Salve Virgo Singularis” • For Three Voices

I cannot imagine a more powerful text.

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Dr. Lucas Tappan · June 28, 2016

Theology and Music

I hope and pray the Church continues to raise up true artists who will bring the Gospel to the world through the greatest of all the Church’s arts—Music.

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Jeff Ostrowski · June 27, 2016

Audio Samples • Can A Volunteer Choir Sing Excellent Music At Mass?

If you think we weren’t nervous to sing before so many … think again!

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Jeff Ostrowski · June 27, 2016

Wow! Take 35% off your purchase!

The Goupil Graduals arrived this morning, and they look marvelous!

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Veronica Brandt · June 25, 2016

It’s not about talent

A church musician’s work may well be priceless. We don’t need to have gratitude for our natural talent, though talent can make life easier. The big honour is to serve God at the summit and source of Christian life.

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Jeff Ostrowski · June 24, 2016

Los Angeles Pontifical Mass • This Coming Sunday!

We’ll be joined by Bishop Athanasius Schneider, our FSSP District Superior, and several FSSP seminarians for a Solemn Pontifical Mass in Hollywood.

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Richard J. Clark · June 24, 2016

New Organ Work • Madonna & Child

It took me—the composer—to realize this is really a work about mother and child.

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Fr. David Friel · June 24, 2016

Colloquium 2016 • Day 4

Reflections on Offering a Colloquium Mass

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Fr. David Friel · June 23, 2016

Colloquium 2016 • Day 3

The Organic Development of the Liturgy and the New Music Breakouts

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Jeff Ostrowski · June 23, 2016

“I will fear no evils, for thou art with me.”

St. John Vianney was once overheard speaking directly to the Lord.

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Andrew Leung · June 23, 2016

Made in China

Gregorian Chant pew cards in Hong Kong.

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Jeff Ostrowski · June 22, 2016

Purchase Hard Copies of the Goupil Gradual

Eight reasons why every choirmaster needs this new resource.

Fr. David Friel · June 22, 2016

Colloquium 2016 • Day 2

Explanatory Images from Wilko Brouwers

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Corpus Christi Watershed

President’s Corner

    “Hidden Chant” • For the Ordinary Form

    Not even “GregoBase”—which is incredibly comprehensive—knows that music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski
    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

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    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“Cardinal Pole’s great synod at Canterbury (1557) wanted a reformed Roman Missal for use everywhere in England.”

— Father Gerald Ellard, SJ

Recent Posts

  • PDF Download • 23 Harmonizations for “Daily, daily, sing to Mary” (The Famous Hymn)
  • “Hidden Chant” • For the Ordinary Form
  • PDF Download • “Simple Organ Interludes for Use in the Catholic Church” (108 pages)
  • Dr. Tappan in Rome • “Ubi Caritas”
  • Time and Again We Are Asked…

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