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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Guardian of the Sacred Tradition in the South

Andrew Leung · May 26, 2016

CTL A Guardian of the Tradition in the South WILL BE PRESENTING at two conferences this summer and I am really excited to share my gifts with others. I am so thankful that God gives me the ability to praise him with music and I am so blessed to have experienced the Church’s music, the most powerful music in the world.

The first conference sponsored by the Tridentine Mass Community will be held in Hong Kong in July and the second one will be held at the Basilica of Sts. Peter and Paul in Chattanooga, TN, from July 22 to July 23. Both of these places have a very special place in my heart: Hong Kong is where I grew up and started my musical training. When I first learned Gregorian chant, the schola members of the Tridentine Mass Community were very kind and let me sing with them. It was through those practical experience that I became a more confident and proficient cantor.

The Basilica in Chattanooga is truly a guardian of the Sacred Tradition. They are one of the few that offer traditional liturgies and music. They also have a very active faith formation program. The basilica is where I go relax, pray and sing with friends when I was working in Georgia. They offer a weekly Low Mass in the Extraordinary Form and a monthly Missa Cantata in the afternoon on the fourth Sunday of the month, which is perfect for someone like me who works in a parish all morning. I love the Latin Mass and it really has helped me a lot in my spiritual life. I am so glad that the Basilica offers them because it’s hard to find them in the South. In my experience, their liturgies are celebrated very reverently. Their Masses are always well-attended and people participate actively. There are some instructions given to the visitors and those who are new to the Traditional Latin Mass to help them participate both internally and externally. The congregation is “trained” in making responses and following the different postures during the Mass.

The Sacred Music Program at the Basilica of Sts. Peter and Paul is a vibrant one. I am very excited to go back for the Summer Sacred Music Workshop II that they will be hosting this July. The church itself is a beautiful space and it has the perfect acoustic for choral singing. I am looking forward to play their beautiful pipe organ again and hear the Basilica Choir, and hopefully their children’s choir too.

We have invited Dr. Jennifer Donelson to be our plenary speaker this year. She is an expert in Gregorian chant and I really enjoyed her chant breakouts at the last Colloquium. Also, Mr. Bruce Ludwick from the Cathedral of St. Paul in Birmingham, AL, is the newest addition to our faculty. Bruce is the famous organist who accompanied Fauré’s Requiem at the Colloquium 2015 in Pittsburgh and Mother Angelica’s funeral at the Shrine of the Most Blessed Sacrament. He will be our organ instructor and offering advice to any participant who might be interested in learning more about the “King of the Instruments”.

If you are interested in joining us for the Summer Sacred Music Workshop II, you may register now!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”

— Fr. Joseph Gelineau (1978)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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