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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Guardian of the Sacred Tradition in the South

Andrew Leung · May 26, 2016

CTL A Guardian of the Tradition in the South WILL BE PRESENTING at two conferences this summer and I am really excited to share my gifts with others. I am so thankful that God gives me the ability to praise him with music and I am so blessed to have experienced the Church’s music, the most powerful music in the world.

The first conference sponsored by the Tridentine Mass Community will be held in Hong Kong in July and the second one will be held at the Basilica of Sts. Peter and Paul in Chattanooga, TN, from July 22 to July 23. Both of these places have a very special place in my heart: Hong Kong is where I grew up and started my musical training. When I first learned Gregorian chant, the schola members of the Tridentine Mass Community were very kind and let me sing with them. It was through those practical experience that I became a more confident and proficient cantor.

The Basilica in Chattanooga is truly a guardian of the Sacred Tradition. They are one of the few that offer traditional liturgies and music. They also have a very active faith formation program. The basilica is where I go relax, pray and sing with friends when I was working in Georgia. They offer a weekly Low Mass in the Extraordinary Form and a monthly Missa Cantata in the afternoon on the fourth Sunday of the month, which is perfect for someone like me who works in a parish all morning. I love the Latin Mass and it really has helped me a lot in my spiritual life. I am so glad that the Basilica offers them because it’s hard to find them in the South. In my experience, their liturgies are celebrated very reverently. Their Masses are always well-attended and people participate actively. There are some instructions given to the visitors and those who are new to the Traditional Latin Mass to help them participate both internally and externally. The congregation is “trained” in making responses and following the different postures during the Mass.

The Sacred Music Program at the Basilica of Sts. Peter and Paul is a vibrant one. I am very excited to go back for the Summer Sacred Music Workshop II that they will be hosting this July. The church itself is a beautiful space and it has the perfect acoustic for choral singing. I am looking forward to play their beautiful pipe organ again and hear the Basilica Choir, and hopefully their children’s choir too.

We have invited Dr. Jennifer Donelson to be our plenary speaker this year. She is an expert in Gregorian chant and I really enjoyed her chant breakouts at the last Colloquium. Also, Mr. Bruce Ludwick from the Cathedral of St. Paul in Birmingham, AL, is the newest addition to our faculty. Bruce is the famous organist who accompanied Fauré’s Requiem at the Colloquium 2015 in Pittsburgh and Mother Angelica’s funeral at the Shrine of the Most Blessed Sacrament. He will be our organ instructor and offering advice to any participant who might be interested in learning more about the “King of the Instruments”.

If you are interested in joining us for the Summer Sacred Music Workshop II, you may register now!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

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