Views from the Choir Loft

Fox News • “Rise of the Latin Mass”

Jeff Ostrowski · May 10, 2016

The following was sent to me by a friend, who serves on the Parish Council at a large Catholic church here in Los Angeles.

* * Fox News Article • (9 May 2016)

Some excerpts:

OMEN wearing veils, incense, Gregorian chants, kneeling, standing, kneeling again, long periods of silence; think all of this is a scene from a Catholic Mass in 1950? It was then, to be sure—but it’s now happening every Sunday (and in some places every day) in churches all over the United States. The Latin Mass of years gone by is becoming more popular again.

Alfonso DiGirolamo, a lifelong Catholic, started a website, GetTLM.org, to help parishioners bring the Traditional Latin Mass to their own parish. The website includes videos that explain what to expect when attending the Extraordinary Form of the Mass and shares resources. His wife, Brenda, also a lifelong practicing Catholic, started attending the TLM with her husband just two years ago. “To be honest, I wasn’t a fan at first, but now I love it,” she told LifeZette. “There is a reverence shown toward the Mass, but most especially toward the Holy Eucharist. Also, it helps me to remain focused and pay attention to the prayers so I don’t get lost.”

Jewels Green, a convert to the Catholic faith, says: “While it was a little confusing at first, I have learned how to follow along in the missal (which has Latin on one side and the English translation on the other). I have grown to love the beauty and reverence that I personally have only found during the celebration of the Mass in the Extraordinary Form. As both the Ordinary Form (in the local language) and the Extraordinary Form are valid, this choice comes down to personal preference and, in some cases, availability of the Mass one prefers.”

I hope you will read the entire article.

The article says that in the Ordinary Form, “the priest now faces the congregation rather than all present facing in the same direction.” That’s true—most OF parishes have the priest turning his back to the Tabernacle, facing the people. However, they probably should have pointed out that nowhere in any Vatican II document is “Mass facing the people” mentioned.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

PDF Download • “Sprinkling Rite”

Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.

—Jeff Ostrowski

‘Sarum’ Good Friday?

Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?

—Jeff Ostrowski

PDF Download • “Eb Organ Postlude”

Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?

—Jeff Ostrowski

“Gregorian Chant Quiz” • 24 March 2026

How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

PDF Download • “Holy, Holy, Holy”

For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.

—Jeff Ostrowski