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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fox News • “Rise of the Latin Mass”

Jeff Ostrowski · May 10, 2016

514 Extraordinary Form The following was sent to me by a friend, who serves on the Parish Council at a large Catholic church here in Los Angeles.

    * *  Fox News Article • (9 May 2016)

Some excerpts:

OMEN wearing veils, incense, Gregorian chants, kneeling, standing, kneeling again, long periods of silence; think all of this is a scene from a Catholic Mass in 1950? It was then, to be sure—but it’s now happening every Sunday (and in some places every day) in churches all over the United States. The Latin Mass of years gone by is becoming more popular again.

Alfonso DiGirolamo, a lifelong Catholic, started a website, GetTLM.org, to help parishioners bring the Traditional Latin Mass to their own parish. The website includes videos that explain what to expect when attending the Extraordinary Form of the Mass and shares resources. His wife, Brenda, also a lifelong practicing Catholic, started attending the TLM with her husband just two years ago. “To be honest, I wasn’t a fan at first, but now I love it,” she told LifeZette. “There is a reverence shown toward the Mass, but most especially toward the Holy Eucharist. Also, it helps me to remain focused and pay attention to the prayers so I don’t get lost.”

Jewels Green, a convert to the Catholic faith, says: “While it was a little confusing at first, I have learned how to follow along in the missal (which has Latin on one side and the English translation on the other). I have grown to love the beauty and reverence that I personally have only found during the celebration of the Mass in the Extraordinary Form. As both the Ordinary Form (in the local language) and the Extraordinary Form are valid, this choice comes down to personal preference and, in some cases, availability of the Mass one prefers.”

I hope you will read the entire article.

The article says that in the Ordinary Form, “the priest now faces the congregation rather than all present facing in the same direction.” That’s true—most OF parishes have the priest turning his back to the Tabernacle, facing the people. However, they probably should have pointed out that nowhere in any Vatican II document is “Mass facing the people” mentioned.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

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  • “Equal Voices” Choir Pieces
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  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs
  • Typo in the “Missale Romanum” (1962)

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