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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fox News • “Rise of the Latin Mass”

Jeff Ostrowski · May 10, 2016

514 Extraordinary Form The following was sent to me by a friend, who serves on the Parish Council at a large Catholic church here in Los Angeles.

    * *  Fox News Article • (9 May 2016)

Some excerpts:

OMEN wearing veils, incense, Gregorian chants, kneeling, standing, kneeling again, long periods of silence; think all of this is a scene from a Catholic Mass in 1950? It was then, to be sure—but it’s now happening every Sunday (and in some places every day) in churches all over the United States. The Latin Mass of years gone by is becoming more popular again.

Alfonso DiGirolamo, a lifelong Catholic, started a website, GetTLM.org, to help parishioners bring the Traditional Latin Mass to their own parish. The website includes videos that explain what to expect when attending the Extraordinary Form of the Mass and shares resources. His wife, Brenda, also a lifelong practicing Catholic, started attending the TLM with her husband just two years ago. “To be honest, I wasn’t a fan at first, but now I love it,” she told LifeZette. “There is a reverence shown toward the Mass, but most especially toward the Holy Eucharist. Also, it helps me to remain focused and pay attention to the prayers so I don’t get lost.”

Jewels Green, a convert to the Catholic faith, says: “While it was a little confusing at first, I have learned how to follow along in the missal (which has Latin on one side and the English translation on the other). I have grown to love the beauty and reverence that I personally have only found during the celebration of the Mass in the Extraordinary Form. As both the Ordinary Form (in the local language) and the Extraordinary Form are valid, this choice comes down to personal preference and, in some cases, availability of the Mass one prefers.”

I hope you will read the entire article.

The article says that in the Ordinary Form, “the priest now faces the congregation rather than all present facing in the same direction.” That’s true—most OF parishes have the priest turning his back to the Tabernacle, facing the people. However, they probably should have pointed out that nowhere in any Vatican II document is “Mass facing the people” mentioned.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Gloria, Credo, etc., may not be broken into detached fragments; it is wrong to omit or hurry over the Proper of the day; it is not permitted to substitute organ playing for the Proper; it is wrong to use, however briefly, themes from theatrical or dance music, from popular songs, love-songs, comic songs; drums, cymbals, piano, bag-pipes are too noisy for Church use .”

— Pope Leo XIII (25 September 1884))

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