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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Fox News • “Rise of the Latin Mass”

Jeff Ostrowski · May 10, 2016

514 Extraordinary Form The following was sent to me by a friend, who serves on the Parish Council at a large Catholic church here in Los Angeles.

    * *  Fox News Article • (9 May 2016)

Some excerpts:

OMEN wearing veils, incense, Gregorian chants, kneeling, standing, kneeling again, long periods of silence; think all of this is a scene from a Catholic Mass in 1950? It was then, to be sure—but it’s now happening every Sunday (and in some places every day) in churches all over the United States. The Latin Mass of years gone by is becoming more popular again.

Alfonso DiGirolamo, a lifelong Catholic, started a website, GetTLM.org, to help parishioners bring the Traditional Latin Mass to their own parish. The website includes videos that explain what to expect when attending the Extraordinary Form of the Mass and shares resources. His wife, Brenda, also a lifelong practicing Catholic, started attending the TLM with her husband just two years ago. “To be honest, I wasn’t a fan at first, but now I love it,” she told LifeZette. “There is a reverence shown toward the Mass, but most especially toward the Holy Eucharist. Also, it helps me to remain focused and pay attention to the prayers so I don’t get lost.”

Jewels Green, a convert to the Catholic faith, says: “While it was a little confusing at first, I have learned how to follow along in the missal (which has Latin on one side and the English translation on the other). I have grown to love the beauty and reverence that I personally have only found during the celebration of the Mass in the Extraordinary Form. As both the Ordinary Form (in the local language) and the Extraordinary Form are valid, this choice comes down to personal preference and, in some cases, availability of the Mass one prefers.”

I hope you will read the entire article.

The article says that in the Ordinary Form, “the priest now faces the congregation rather than all present facing in the same direction.” That’s true—most OF parishes have the priest turning his back to the Tabernacle, facing the people. However, they probably should have pointed out that nowhere in any Vatican II document is “Mass facing the people” mentioned.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“A striking detail: at Solesmes, we remember hearing Justine Ward criticize accompaniment sometimes or seeing her cover her ears, especially when the organ accompanied a soloist, which is something she could not accept.”

— Dom Pierre Combe

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