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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Children’s Choir in a Typical Suburban Parish? Endless Possibilities!

Richard J. Clark · April 29, 2016

N AN ORDINARY suburban parish without exceptional resources, what can be accomplished in teaching children traditional sacred music? “The possibilities are endless,” according to Ryan Lynch, Director of Music and Organist at St. Raphael’s Parish in Medford, Massachusetts.

Lynch, who is also a regular organist and cantor for Catholic TV, revived a dying parish music program, making children’s voices a centerpiece of the liturgical life along with the adult choir. Starting a children’s choir from scratch, Lynch took a simple, but wise approach: form young voices (hearts and minds) through simple traditional hymnody and chant, making their well-formed, singable melodies and rich theology a staple. You can learn more about the music program at St. Raphael’s here.

(He was also a consultant on this hymn project for the Archdiocese of Boston: Music for First Communion and Confirmation—A Catechetical Guide for Liturgical Celebrations)

Teaching Kindergarten through fifth grade in the parish school, he must also shape the musical sound of the children with a sprit of full inclusiveness—another typical aspect of parish life. This isn’t easy, but Ryan Lynch makes it appear that way. He allows especially beautiful voices to shine while creating a unified voice.

Lynch acknowledges that this is a work in progress, one to build upon. Mindful that the children who sing today will be the foundation of our Church in the future. Therefore, enthusiasm and optimism reigns: “The Possibilities are endless.” You can listen to samples and his budding choir here and here.


YAN WAS RECENTLY interviewed on “Sounds from the Spires” on on SIRIUS XM 129 Radio, The Catholic Channel. The show is hosted by Dr. Jennifer Pascual, Director of Music at Saint Patrick’s Cathedral in New York City. This interview discusses life in a parish, churches of Rome, and Cardinal DiNardo’s restaurant recommendations in Houston! (for those of you attending AGO or NPM this summer).

• PODCAST • “Sounds form the Spires” broadcast on 4.24.2016:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

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