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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Catholic Choirmaster” • Fascinating Photo Taken 29 August 1964

Jeff Ostrowski · April 19, 2016

EARS AGO, I used to xerox copy tons of articles about musicians, conductors, pianists, sacred music, and so forth. This morning I found—stuffed into a box in my garage—an interesting page from “Catholic Choirmaster,” containing a photograph taken on 29 August 1964 at Boys Town. I believe this is when “Saint Gregory Society” merged with “Saint Cecilia Society” to form the “Church Music Association of America.” This xerox page is what I undoubtedly used to create this article.

547 Boys Town 1964 CMAA Meeting


Several in that photo are still fighting hard to promote good church music! Conspicuously absent was Roger Wager, who was probably touring. More information about Boys Town can be gleaned from these.

UPDATE :

From a reader:

You printed a picture of the original organizers of CMAA in today’s blog, and speculated that Roger Wagner might have been “on tour.” So happens that I was present for the Boys’ Town Music Workshop that preceded that organizational meeting. That year, Roger Wagner was present and—in a little less than one week of rehearsals—taught the assembled choir directors/organists/singers the entire Britten “War Requiem” and we then gave a concert performance of it with the Omaha Symphony Orchestra. Side-note: Roger brought along his own soprano soloist for the piece, Carol Neblett. Small-world!! The next time I sang the piece, Carol Neblett was the soloist. That was under the baton of Ken Schermerhorn, her husband at the time, with the Milwaukee Symphony Orchestra. I can no longer recall the scheduling, but vaguely remember that the organizational meeting was held following the workshop, so Roger (and Paul Salamunovich, and Carol) may well have left for a tour- or recording-date. Keep up the great work!!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Monsignor Francis P Schmitt Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“To get people together once a week without an objective is deadly.”

— Dr. Roger Wagner (19 December 1960)

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