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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“I confess that I was a liturgical nut” says Bishop consecrated by Pope Paul VI

Jeff Ostrowski · April 6, 2016

590 Bishop Gracida Interview 2015 ARLIER TODAY, my friend emailed me a fascinating YouTube interview with Bishop Emeritus René H. Gracida, who fought the Nazis in Germany as a young man and later became a close friend of Pope Saint John Paul II. The interview was conducted by someone named Michael Voris, and you might want to skip to the 1:30 marker, where Bishop Gracida starts talking:

* *  YouTube • Bp. Gracida Interview (2015)

His Excellency, currently 92 years old, does not mince words about post-conciliar chaos:

“It was the virus of the false spirit of Vatican II.  I was one of them; I was very enthusiastic about some of the reforms of Vatican II. But a little later I came to realize how I had been hoodwinked, and how I had been misled by the progressives.”

When asked about the most concerning areas in the Church today, Bishop Gracida says:

“I have no doubt that the area of the Church’s life that needs the greatest attention is the liturgy. The liturgy is not only worship of God; it is the way we are formed in our faith. So all that has happened in the liturgy since the Second Vatican II that is bad is malforming Catholics even today. So the Novus Ordo—although I have celebrated it, and have appreciated its value at times—I never celebrate it now. All my Masses are in the Traditional Rite because it is the most spiritual, the most reverential, the most clear proclamation of what we believe!”

Then Bishop Gracida explains precisely what he means, ending with a warning:

“When we ruin the liturgy, we remove that which protects the faithful.”

Later on, Bishop Gracida speaks of the “modified” Traditional Rite, by which he means the 1965 Missal. (You can download the 1965 Missal, in Latin & English, as a PDF file.)

AT ONE POINT during the interview, Bishop Gracida is asked when he came to these realizations (see above). His Excellency says:

“I confess that I was a liturgical nut.”

Then he elucidates upon this statement…evening naming names!  It seems that people who pay a monthly fee to Michael Voris can watch the full 3-hour interview. I am not a subscriber, but perhaps one of our readers could give us the “highlights” using the CCW Facebook comments section.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: February 14, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

Recent Posts

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  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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