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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“I confess that I was a liturgical nut” says Bishop consecrated by Pope Paul VI

Jeff Ostrowski · April 6, 2016

590 Bishop Gracida Interview 2015 ARLIER TODAY, my friend emailed me a fascinating YouTube interview with Bishop Emeritus René H. Gracida, who fought the Nazis in Germany as a young man and later became a close friend of Pope Saint John Paul II. The interview was conducted by someone named Michael Voris, and you might want to skip to the 1:30 marker, where Bishop Gracida starts talking:

* *  YouTube • Bp. Gracida Interview (2015)

His Excellency, currently 92 years old, does not mince words about post-conciliar chaos:

“It was the virus of the false spirit of Vatican II.  I was one of them; I was very enthusiastic about some of the reforms of Vatican II. But a little later I came to realize how I had been hoodwinked, and how I had been misled by the progressives.”

When asked about the most concerning areas in the Church today, Bishop Gracida says:

“I have no doubt that the area of the Church’s life that needs the greatest attention is the liturgy. The liturgy is not only worship of God; it is the way we are formed in our faith. So all that has happened in the liturgy since the Second Vatican II that is bad is malforming Catholics even today. So the Novus Ordo—although I have celebrated it, and have appreciated its value at times—I never celebrate it now. All my Masses are in the Traditional Rite because it is the most spiritual, the most reverential, the most clear proclamation of what we believe!”

Then Bishop Gracida explains precisely what he means, ending with a warning:

“When we ruin the liturgy, we remove that which protects the faithful.”

Later on, Bishop Gracida speaks of the “modified” Traditional Rite, by which he means the 1965 Missal. (You can download the 1965 Missal, in Latin & English, as a PDF file.)

AT ONE POINT during the interview, Bishop Gracida is asked when he came to these realizations (see above). His Excellency says:

“I confess that I was a liturgical nut.”

Then he elucidates upon this statement…evening naming names!  It seems that people who pay a monthly fee to Michael Voris can watch the full 3-hour interview. I am not a subscriber, but perhaps one of our readers could give us the “highlights” using the CCW Facebook comments section.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: February 14, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

They were not ashamed to lay their hands on Sedulius, on Prudentius, on St. Ambrose himself. Only in one or two cases does some sense of shame seem to have stopped their nefarious work. They left “Ave maris stella,” “Jam lucis orto sidere,” and St. Thomas Aquinas’s hymns alone (they would have made pretty work of “Sacris solemniis”). In 1629 their mangled remnants were published.

— Rev’d Adrian Knottesford Fortescue (25 March 1916)

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