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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Promoting a Good Choral Culture at Your Parish

Andrew Leung · March 31, 2016

CTL Promoting a Good Choral Culture at Your Parish HE LORD IS RISEN! Alleluia! I hope everyone had a blessed Holy Week. I had a very prayerful Sacred Triduum. All the liturgies at my parish went very smoothly. Some of you might already know, the parish I am assigned to for my pastoral year does not have a regular choir. We have a pretty developed cantor program, but our choir only sings twice per year, once for Christmas and once for the Triduum. I guess we don’t really have a choral culture here.

This Holy Week, I started a new Schola for the parish. It was very successful and we had many compliments from the parishioners and the clergy. There were seven singers in the schola and we learnt two pieces for the liturgies. I would like to share the two live recordings of our singing, even though they are not professional recordings. For a group that sang together in front of people the first time and only having half-hour-rehearsals for four times, I thought we did pretty well.


* *  Mp3 Audio File — Dubois’s Adoramus te, Christe


* *  Mp3 Audio File — Lotti’s Regina Caeli


Nothing is impossible with God! It is possible to introduce a good choral culture to a parish that is not familiar with any choir. The key is to be hopeful and communicate with others, especially with the singers and the pastor. It is important to begin a choir with a small group of core members singing a simpler repertoire. As the music program develops, it will attract more people to join and the choir can work on some more complex pieces.

CTL Promoting a Good Choral Culture at Your Parish Schola NOTHER WAY to promote a good choral culture at a parish is to invite guest artists to perform. Thanks to Msgr. Kurt Kemo, my pastor, Mark Dougherty, our church organist, and Prof. Nicholas Will, the director of the Franciscan University Schola, we are able to have the university’s schola to sing the 4:30pm Mass next Saturday. The Schola Cantorum Franciscana will be singing at the Ordinary Form Mass for the Third Sunday of Easter followed by a concert. The repertoire will include Gregorian Chant, Renaissance Polyphony and a few organ pieces played by the organ students. Inviting guest artists for special Masses or concerts is an excellent way to promote the choral culture. It increases the interest of the singers and help the faithful to appreciate in choral music. If you live around the Steubenville area, please join us for the 4:30 Sung Mass followed by a concert on April 9 at Blessed Sacrament Church, Wintersville, OH.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Those who are trying to improve the quality of congregational singing cannot refuse to Gregorian chant the place which is due to it.”

— Sacred Congregation of Divine Worship (14 April 1974)

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