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Views from the Choir Loft

Mother Angelica, How Bad Was It?

Jeff Ostrowski · March 29, 2016

628 Mother Angelica OTHER ANGELICA of EWTN has passed away, and an astounding number of people—from quarters I’d never expect—have been praising her life and accomplishments. This has infuriated the so-called “progressive” liturgists, to whom she was an enemy. They do not like to see her virtues praised, and many are using the internet to demean her with vile comments. 1

I am too young to remember Mother Angelica, but I do have vague memories of my mother watching her on television. She took exception to a document written by Roger Cardinal Mahony in 1997.

So how bad was this document? Did Mother Angelica overreact?

Here are some excerpts: 2

THE PRESIDER RESPECTS SYMBOL.  What we do at liturgy takes us beyond the literalness that dominates our lives. To preside, a person must live from the rich ambiguity of symbolic reality.

Respect for the power of symbol does not come easily. Even in the Church, we are afraid of symbol. We want the facts, the dimensions. We want a literal truth, but the literal can never be “the way and the truth and the life.” Symbols get beneath the surfaces and are true and real. The symbols we live by are large, ambiguous, and always engaging us anew. One who would preside at liturgy must be practiced in reverence for the symbolic reality of the deeds done by the Church at liturgy. […] Is that Baptismal font a pool of water, a womb, or a tomb? Is this a marriage bath, or a funeral bath, or a birth bath?  It is all!

Doing their symbols, Christians form Christians. […] A priest may know the Bible from a scholarly perspective, but still need to discover how it sounds and what it means when its words are spoken powerfully in the midst of the Church and attended to by an assembly.

When people ask if she went too far, I suppose the only logical answer would be: “It’s not about whether Mother Angelica’s reaction was disproportionate. It’s about living deeply from the vibrant realities of ambiguities beneath the surface of our bird bath.”

P.S.

Even though I never watched Mother Angelica, the excerpts I have seen [01 02] were spectacular! Moreover, EWTN was one of the networks which broadcast our documentary on Sacred music.

Requiem aeternam dona ei, Domine…



NOTES FROM THIS ARTICLE:

1   Mother Angelica seems to evoke strong emotions. I remember an Irish bishop who wouldn’t even mention her name, instead referring to her as “the nun on television.”

2   I posted some reflections on that 1997 document here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

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