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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are you Praying the Mass?

Andrew Leung · February 18, 2016

CTL Prayer in the Liturgy AST WEEK, I wrote about the Three Common Misconception about Chant and most people seem to agree with my observations. In that post, I mentioned “a deeper problem that has to do with ‘prayer’” since people complain about not being able to participate externally. I thought it would be appropriate to write a reflection on “Prayer and Liturgy”, especially at the beginning of this sacred season of Lent. This is a topic that comes up frequently in my conversations with my spiritual director.

My spiritual director, whose name I will keep private, is a very holy priest in his late 70s. He is the “Latin Mass Guru” in our diocese and he celebrates both Forms of the Mass regularly. He started his seminary formation before the Council and was ordained in 1964. He is one of the few of his generation who never gave up wearing the cassock in public. He is a very wise and inspiring priest. I love discussing liturgical questions with him because he knows exactly what happened before, during and after Vatican II.

There are many articles that deal with problems of the liturgy nowadays; I have written some of them myself. People write about the orientation of the celebration, the language we use in our Worship, the Old Mass and the New, etc. However, I believe the root of all the problems we see nowadays is the understanding of prayer. People do not know how to pray! Here are a few quotes from my wise spiritual director on prayer and the liturgy:

“The changes that the Council Fathers made to the liturgy were meant to help people to pray better. However, the outcome is not what they wanted.”

“It is our fault. It was us, my brother priests and I, who stopped those little old ladies from praying the rosary at Mass. They actually know how to pray.”

“In order for the people to appreciate the Church’s music, they must first learn how to pray.”

I can’t agree with him more. We must learn to enter into deep interior prayers. Prayers are our conversations with God. There are many forms of prayer. Physically doing, or saying, or singing something are ways of praying. Many people come to Mass to enjoy homilies, to sing songs and to focus on “what they can do”. These are all good ways to participate, but they are exterior and superficial. We need to listen to God so that we can have deep conversations with Him. We need to learn to meditate in silence, and eventually in melismatic chant. Maybe one thing we can do during this Lent is to stop criticizing the homilies, music and the tiny mistakes that happen at Mass, and focus more on the Body and Blood of Christ on the altar.

Finally, I would like to end with a remark that I often hear from my spiritual director when he thanks me for singing his Masses:

“The music was beautiful. It was beautiful because I can hear that you were praying.”

Are you praying the Mass? When you sing, are you praying?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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