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Views from the Choir Loft

Are you Praying the Mass?

Andrew Leung · February 18, 2016

CTL Prayer in the Liturgy AST WEEK, I wrote about the Three Common Misconception about Chant and most people seem to agree with my observations. In that post, I mentioned “a deeper problem that has to do with ‘prayer’” since people complain about not being able to participate externally. I thought it would be appropriate to write a reflection on “Prayer and Liturgy”, especially at the beginning of this sacred season of Lent. This is a topic that comes up frequently in my conversations with my spiritual director.

My spiritual director, whose name I will keep private, is a very holy priest in his late 70s. He is the “Latin Mass Guru” in our diocese and he celebrates both Forms of the Mass regularly. He started his seminary formation before the Council and was ordained in 1964. He is one of the few of his generation who never gave up wearing the cassock in public. He is a very wise and inspiring priest. I love discussing liturgical questions with him because he knows exactly what happened before, during and after Vatican II.

There are many articles that deal with problems of the liturgy nowadays; I have written some of them myself. People write about the orientation of the celebration, the language we use in our Worship, the Old Mass and the New, etc. However, I believe the root of all the problems we see nowadays is the understanding of prayer. People do not know how to pray! Here are a few quotes from my wise spiritual director on prayer and the liturgy:

“The changes that the Council Fathers made to the liturgy were meant to help people to pray better. However, the outcome is not what they wanted.”

“It is our fault. It was us, my brother priests and I, who stopped those little old ladies from praying the rosary at Mass. They actually know how to pray.”

“In order for the people to appreciate the Church’s music, they must first learn how to pray.”

I can’t agree with him more. We must learn to enter into deep interior prayers. Prayers are our conversations with God. There are many forms of prayer. Physically doing, or saying, or singing something are ways of praying. Many people come to Mass to enjoy homilies, to sing songs and to focus on “what they can do”. These are all good ways to participate, but they are exterior and superficial. We need to listen to God so that we can have deep conversations with Him. We need to learn to meditate in silence, and eventually in melismatic chant. Maybe one thing we can do during this Lent is to stop criticizing the homilies, music and the tiny mistakes that happen at Mass, and focus more on the Body and Blood of Christ on the altar.

Finally, I would like to end with a remark that I often hear from my spiritual director when he thanks me for singing his Masses:

“The music was beautiful. It was beautiful because I can hear that you were praying.”

Are you praying the Mass? When you sing, are you praying?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Custom preserves many things in liturgy after their first reason has ceased.”

— Father Adrian Fortescue (writing in 1916)

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