• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Musical Resources • 1st Sunday of Lent (EF)

Jeff Ostrowski · February 14, 2016


RESPONSES FOR HIGH MASS

PDF Score (Singer) • printed on a single sheet


PROCESSIONAL   •   #828 Throughout These Forty Days

From the Campion Hymnal.   •   No organ during Lent, except on Laetare Sunday.


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist

To practice the new section of the Asperges, you must locate #4550.


INTROIT   •   Sung by the men only.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON

The new “Kyrie” is #3661 and #3579 and until we learn the other parts will be sung with this score.


GLORIA IN EXCELSIS

You need to be practicing #3610 for when Lent is over.


GRADUAL & ALLELUIA

There is no Alleluia until Easter arrives.

As always, the verses are found in our GOUPIL GRADUAL books.


CREDO IV   •   Alternatim

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY HYMN

Hymn to the Sacred Trinity can be found as #3473


SANCTUS & HOSANNA

The new Guerrero Sanctus & Hosanna can be found as #3496

We have been singing #4912 and will sing it again this Sunday.

Sometimes—but not this coming Sunday—we sing a different polyphonic “Hosanna,” which is #5048. You don’t need to practice the Chant Part.


AGNUS DEI

The new setting currently lacks rehearsal videos.

To practice the Agnus Dei by Philippe Verdelot (d. 1531), you must locate #4801.

Don’t forget our other setting, #4347.


COMMUNION ANTIPHON

PDF Score (Singer)   •   Practice Audio (Singer)


COMMUNION POLYPHONY “A”

“Jesu Dulcis Memoria” is number #4428.


COMMUNION POLYPHONY “B”

Ave Maris Stella is number #4669.


RECESSIONAL HYMN   •   837 O Sacred Head, Surrounded

From the Campion Hymnal.   •   No organ during Lent, except on Laetare Sunday.

PRAYER WITH THE CHOIR (including excerpts from the CAMPION HYMNAL) :

757 Campion Missal


810 Endings Collects CAMPION MISSAL


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • Offertory (9 Nov.)
    This year, the feast of 9 November replaces the Sunday. The OFFERTORY ANTIPHON (PDF file) for 9 November is exceedingly beautiful. The ‘Laterani’ mansion at Rome was the popes’ residence for a thousand years. The church there still is the cathedral church of Rome—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “St. John Lateran” owing to its famous baptistery of St. John the Baptist. In this church, the pope’s own ‘cathedra’ (episcopal chair) stands in the apse.
    —Jeff Ostrowski
    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Yet, with all its advantages, the new Missal was published as if it were a work put together by professors, not a phase in a continual growth process. Such a thing never happened before. It is absolutely contrary to the laws of liturgical growth, and it has resulted in the nonsensical notion that Trent and Pius V had “produced” a Missal four hundred years ago.

— Josef Cardinal Ratzinger (1986)

Recent Posts

  • What surprised me about regularly singing the Gloria in Latin
  • PDF Download • “Music List” for 9 November
  • “Music List” • 9 Nov. (Dedic. Lateran)
  • PDF Download • Offertory (9 Nov.)
  • Exclusive Interview • Hannah Houston w/ Mæstro Richard J. Clark

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.