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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Save the Merit, Save the World

Veronica Brandt · February 13, 2016

Keep it secret T THE BEGINNING OF LENT Lent I tend to read too much about how to keep this penitential season. Being unable to fast 1 I try to think of creative ways to keep Lent. Then an article like this brings me right back down to earth.

Don’t lose the merit: Keep it secret, keep it safe – written by a Benedictine Oblate drawing on her formation with the Canadian Oratorians. She elaborates on St Philip Neri’s exhortation amare nescire or to love to be unknown.

It really reinforces one of the recent Gospel readings:

But when thou dost alms, let not thy left hand know what thy right hand doth. That thy alms may be in secret, and thy Father who seeth in secret will repay thee. — Matthew 6:3-4

Of course this goes for prayer and fasting as well. When we tell our good deeds, we receive the praise of our listeners and lose some of the reward which would otherwise have been ours.

Many visionaries showed this in their great reluctance to tell of the favours God granted their souls. Many saints lives were only written under obedience and many such accounts surprised their daily companions by how much the saintly soul had kept hidden.

Then the really interesting part of the article was where it compares different sorts of public prayer gatherings. You know the sort that focus on the community of believers.

I can tell you there’s nothing more embarrassing, more excruciating and cringe-inducing for me than being asked to “share” my “faith” or my “prayer life”

But she goes on to show how it is important to come together for prayer and very possible to do so without losing the merit.

… there is a huge difference between formal, public liturgy – what one of the Oratorian Fathers called with a wink the “bowing and scraping” – and what goes on “cor ad cor”.

And this what brought the real idea of Lenten penances home to me. It’s not something I can show off as an example to my kids. It’s not a competition to out do our Orthodox brethren. It’s about a personal relationship with Jesus – cor ad cor or heart to heart.

You can read the whole article here.


NOTES FROM THIS ARTICLE:

1   A new Brandtling is expected to arrive around September.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“Older priests, therefore, should receive younger priests as true brothers and help them in their first undertakings and priestly duties. The older ones should likewise endeavor to understand the mentality of younger priests, even though it be different from their own, and follow their projects with good will.”

— Pope Saint Paul VI (7 dec 1965)

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