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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three Common Misconceptions about Chant

Andrew Leung · February 11, 2016

CTL 3 Common Misconception about Chant 1 S THE LENTEN SEASON begins, I am sure that many parishes are starting to use the Missa Jubilate Deo as the Mass Ordinaries setting. And there are also some churches that I know that sing the English chant from the Roman Missal. Both of those settings were mentioned in Bishop Doerfler’s Instruction. In the Instruction to his diocese, the Bishop of Marquette asked that Gregorian chant, both the Propers and the Ordinaries, be brought to parishes and schools. I think that Bishop Doerfler is taking is a very brave step to restore the sacredness of the Liturgy and to reintroduce people to the Catholic Tradition.

Bishop Doerfler has already addressed the most common complaint that one gets from parishioners: “I can’t sing along”. A lot of people like to participate externally and to be able to sing with the choir. (Regarding that, I think there is a deeper problem that has to do with “prayer”, but I will save that for another post.) The bishop’s Instruction requires the active participation of the faithful in singing along with the Ordinaries and the Communion Antiphon. He is also asking the diocesan music director to train other musicians in the diocese so that they can assist the faithful.So the people will “sing along” with the choir at intervals during ever Mass. However, it is my observation that many people still see Gregorian chant in negative ways because of three misconceptions they have. If we can clear up these misunderstandings, it will be much easier for people to fall in love with chant.

“Chant is slow and long” – This is a common perception. The congregation, and sometimes even the choir, tend to drag out the chant. Many people think that is the nature of Gregorian chant. My suggestion would be to set a pace that is close to the pace people would recite the phrases, don’t encourage long pauses between phrases, and to sing with good diction. If we sing well, Gregorian chant will not be perceived as tediously slow and drawn-out..

“Chant is plain and flat, they all sound the same” – I think this misconception arises from the overuse of a certain chant settings like Mass VIII and Mass XVIII. If your congregation is already comfortable with these settings, maybe it is time to try other settings. There are other beautiful chant melodies in the Kyriale. There are also a variety of psalm tones to choose for the Liturgy of the Hours or simple Propers. For the choir, you may consider working with them on the enunciation, like where the accented syllables are; or where to pause; or what needs to be lengthened. These changes should dispel the notion that all Gregorian chant sounds the same, while exposing the congregation to various beautiful settings.

“Chant is penitential” – As I mentioned at the beginning of this post, many parishes chant the Ordinaries of the Mass during Advent and Lent, the penitential seasons, and so many people connect chant to penance. Gregorian chant is not a penance! It is true that chant can express sorrow, but it can also express other emotions. For example, the Gloria and the Sanctus are joyful hymns of praise. This misunderstanding can be addressed in homilies or through catechesis in other ways. However, the best course is to sing chant outside of Advent and Lent.

TRULY THINK THAT people will accept and appreciate Gregorian chant more easily if we can dispel these three misconceptions. Please feel free to leave comments or share your suggestions on our Facebook Page.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“[Sacrosanctum Conclium’s implementation was] horrible, if we judge the debate on the liturgy as we have it today. Very few bishops would be proud to say they had a hand in it. Communion in the hand was never mentioned in the debate, neither was the word table (mensa) to take the place of altar—place of sacrifice… In my opinion the Debate on the Liturgy has been hijacked. The Council was…to reform, not to change completely.”

— Bishop Ignatius Doggett (who took part in Vatican II)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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