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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jesus Played Marbles

Veronica Brandt · February 6, 2016

Jesus Played Marbles large E KNOW PEOPLE LEAVE the Church for all kinds of reasons. It’s sad when people say they leave because of the music – and we know how hard it is to keep everyone happy there. It’s sad when people leave because of romantic entanglements at odds with Catholic moral teaching. It’s sad when people just don’t get along. In many cases there is no easy solution.

Some of the saddest stories are of young adults, fresh out of Catholic school, cast into confusion by someone pointing out Bible verses which apparently contradict their understanding of the Catholic Faith. But this is one of the most preventable tragedies.

In this age of instant access to information it seems mad that so much ignorance persists – and yet, we cannot leave it up to people to search Catholic Answers themselves. We need to teach people, most especially our own children!

Joseph's Turn So, here is the book Jesus Played Marbles, written as a children’s book, a simple story, introducing the youngsters who are known in the Bible as Jesus’ brothers. Each is introduced as the game of marbles proceeds. A separate box on the page gives the background information on each of the historical figures, especially showing, where possible, who their parents were and how we know this. Even though it doesn’t give this information for each future disciple, it does show that these “brothers” were rather what we would call cousins. The Catholic teaching that Joseph and Mary had no natural children of their own is upheld.

Jude's turn As well as the historic and apologetic value of the book, the story is also has a warm moral to it about friendly games. There is a trade off between playing to win and playing to grow in love and compassion.

Jesus Played Marbles also provides food for meditation on Jesus hidden life as a boy in Nazareth. Like gazing on Jesus in the manger, Jesus as a young boy is a bit of a mystery. In the words of the carol “Christian children all should be mild, obedient, good as He.” It is good to ponder this, especially when guiding our own children to follow Jesus.

I’m sorry the quality of my photos is so bad. The printing of the book is excellent and the major titles are hand lettered.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Those who are trying to improve the quality of congregational singing cannot refuse to Gregorian chant the place which is due to it.”

— Sacred Congregation of Divine Worship (14 April 1974)

Recent Posts

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  • Most “Congregational” Hymn • (In My Experience)
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  • Good Friday Flowers

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