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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Make a Digital Piano Sound Like an Organ

Veronica Brandt · January 30, 2016

Kawai CA97 HERE ARE MANY REASONS WHY a parish might choose to buy a digital piano in favour of an organ. The instruments are much more widely available, pianists much more plentiful than organists. The machines themselves are generally simpler with only one keyboard and without all those fiddly stops all over the place.

They may not be my favourite reasons, but for whatever reason you may find yourself in the situation of trying to make a digital piano sound like an organ.

Many digital pianos come with an “organ” setting – even a “church organ” sound, but I don’t know who chooses these sounds. The few I have heard are quite brash. For accompanying singing, especially chant, you probably want something a bit more mellow. Our parish piano (a Kawai CA97) has a sound called “chiffy tibias” which is passable.

The really frustrating thing is the touch sensitivity, which is nothing like an organ. The volume of each note depends on how hard it is struck and there is no expression or swell pedal to soften the blow. If you accidentally play an extra verse there is no easy way to smoothly reduce the volume and finish quietly without removing a hand from the keyboard to adjust a very sensitive volume knob.

However, you can by-pass the piano’s piano-ness and use software like Hauptwerk or Grand Orgue to bring a much more believable organ sound into your choir loft.

You will need :

  • a midi controller 49-61 keys with usb interface
  • an expression pedal to suit the midi controller
  • a music stand
  • a laptop with Hauptwerk or Grand Orgue installed
  • a 3.5mm Stereo Audio Cable, Male to Male

organ setup
Fold down the piano’s music stand and rest the midi controller on top.

Place the laptop on the piano bench and plug the headphone socket to the piano’s line-in socket. Plug the midi controller into the laptop via the usb cable.

Plug the expression pedal into the midi controller and arrange for easy access.

Fire up your laptop and adjust the software and various volume controls to a good level.

Enjoy your organ!

Note, this pretty much reduces the use of the digital piano down to a pair of speakers. You could have this sort of set up with an amplifier – rather like an electric guitarist would.

Next time you see someone lugging various gig bags into a church, perhaps this is another organ enthusiast.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pipe Organ Last Updated: October 29, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

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