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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Make a Digital Piano Sound Like an Organ

Veronica Brandt · January 30, 2016

Kawai CA97 HERE ARE MANY REASONS WHY a parish might choose to buy a digital piano in favour of an organ. The instruments are much more widely available, pianists much more plentiful than organists. The machines themselves are generally simpler with only one keyboard and without all those fiddly stops all over the place.

They may not be my favourite reasons, but for whatever reason you may find yourself in the situation of trying to make a digital piano sound like an organ.

Many digital pianos come with an “organ” setting – even a “church organ” sound, but I don’t know who chooses these sounds. The few I have heard are quite brash. For accompanying singing, especially chant, you probably want something a bit more mellow. Our parish piano (a Kawai CA97) has a sound called “chiffy tibias” which is passable.

The really frustrating thing is the touch sensitivity, which is nothing like an organ. The volume of each note depends on how hard it is struck and there is no expression or swell pedal to soften the blow. If you accidentally play an extra verse there is no easy way to smoothly reduce the volume and finish quietly without removing a hand from the keyboard to adjust a very sensitive volume knob.

However, you can by-pass the piano’s piano-ness and use software like Hauptwerk or Grand Orgue to bring a much more believable organ sound into your choir loft.

You will need :

  • a midi controller 49-61 keys with usb interface
  • an expression pedal to suit the midi controller
  • a music stand
  • a laptop with Hauptwerk or Grand Orgue installed
  • a 3.5mm Stereo Audio Cable, Male to Male

organ setup
Fold down the piano’s music stand and rest the midi controller on top.

Place the laptop on the piano bench and plug the headphone socket to the piano’s line-in socket. Plug the midi controller into the laptop via the usb cable.

Plug the expression pedal into the midi controller and arrange for easy access.

Fire up your laptop and adjust the software and various volume controls to a good level.

Enjoy your organ!

Note, this pretty much reduces the use of the digital piano down to a pair of speakers. You could have this sort of set up with an amplifier – rather like an electric guitarist would.

Next time you see someone lugging various gig bags into a church, perhaps this is another organ enthusiast.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pipe Organ Last Updated: October 29, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Indeed I might add that although unfamiliar with it myself, the Extraordinary Form expressly reminds us that Mass in either form is not merely a communion meal but a ritual of love, a sacrifice at Calvary, by which, for you and for me, yes, here and now, Jesus Christ lays down his life.

— ‘Most Rev. Philip Egan, Bishop of Portsmouth’

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