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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Most Pure Heart Schola Cantorum in Rome (Part 2)

Dr. Lucas Tappan · January 27, 2016

LMT MPHM Schola Cantorum passing the Swiss Guards AST WEEK I posted two videos of the Most Pure Heart of Mary Schola Cantorum singing in Rome at the Church of St. Peter in Chains. This week I would like to share two final videos. The first one was taken inside the Basilica of St. John Lateran when the choir decided on its own to spontaneously break into Silent Night. The mother of three of our choristers had this to say about it in our diocesan newspaper:

“It wasn’t like the choir director said, ‘we’re going to sing now.’ The children just sang. The children were just in awe of the church’s beauty, and so they offered their gift of song. Everyone was speechless.”

I have to admit, it was one of my favorite moments—and yes, I sang along!


Finally, here’s the MPHM Schola premiering a new Ave Maria by SIR COLIN MAWBY in concert at the Basilica of St. Ignatius in Rome. Mr. Mawby flew in from Ireland with his wife Ann, met and ate with the choristers and shared some stories of his time at Westminster. 1 He also came to St. Ignatius to listen to the choristers and later had this to say in an email “I have such happy memories of the performance. Meant a great deal to both Ann and me.”


One of our high school gentlemen shared this in the same diocesan news article:

“The piece has a particularly solemn sound. It puts your heart in a reflective mood. It’s very moving.”

I hope you enjoy it as much as I do!

SEE ALSO :

    * *  YouTube • Alternate View of the Mawby Debut

    * *  Leaven Newspaper • “Topeka children’s choir sings for pope”



NOTES FROM THIS ARTICLE:

1   If I ever again think I am too busy, I will just remember the Holy Week schedule that Westminster Cathedral Choir kept during the 1960s!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Lucas Tappan Schola Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The scholar who lives only for his subject is but the fragment of a man; he lives in a shadow-world, mistaking means for ends.”

— Msgr. Ronald Knox (1888-1957)

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  • Important Quote by a Church Musician

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