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Views from the Choir Loft

Most Pure Heart Schola Cantorum in Rome (Part 2)

Dr. Lucas Tappan · January 27, 2016

LMT MPHM Schola Cantorum passing the Swiss Guards AST WEEK I posted two videos of the Most Pure Heart of Mary Schola Cantorum singing in Rome at the Church of St. Peter in Chains. This week I would like to share two final videos. The first one was taken inside the Basilica of St. John Lateran when the choir decided on its own to spontaneously break into Silent Night. The mother of three of our choristers had this to say about it in our diocesan newspaper:

“It wasn’t like the choir director said, ‘we’re going to sing now.’ The children just sang. The children were just in awe of the church’s beauty, and so they offered their gift of song. Everyone was speechless.”

I have to admit, it was one of my favorite moments—and yes, I sang along!


Finally, here’s the MPHM Schola premiering a new Ave Maria by SIR COLIN MAWBY in concert at the Basilica of St. Ignatius in Rome. Mr. Mawby flew in from Ireland with his wife Ann, met and ate with the choristers and shared some stories of his time at Westminster. 1 He also came to St. Ignatius to listen to the choristers and later had this to say in an email “I have such happy memories of the performance. Meant a great deal to both Ann and me.”


One of our high school gentlemen shared this in the same diocesan news article:

“The piece has a particularly solemn sound. It puts your heart in a reflective mood. It’s very moving.”

I hope you enjoy it as much as I do!

SEE ALSO :

    * *  YouTube • Alternate View of the Mawby Debut

    * *  Leaven Newspaper • “Topeka children’s choir sings for pope”



NOTES FROM THIS ARTICLE:

1   If I ever again think I am too busy, I will just remember the Holy Week schedule that Westminster Cathedral Choir kept during the 1960s!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Lucas Tappan Schola Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé

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  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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