Views from the Choir Loft

Angelus Bells and the Raspberry Pi

Veronica Brandt · January 23, 2016

RASPBERRY PI is a small, cheap, British computer. Consisting of a credit card sized motherboard with usb ports, hdmi output, headphone jack and micro usb powered, it is a hobbyist’s delight with many, many possibilities. I’ll put the link to more about this fantastic gadget at the end of this article – don’t jump there yet though! I want to show you what I put together first.

I use mine as a little webserver that can be left on all the time as it is silent and doesn’t use much electricity. That’s why you can see the Wi-Pi dongle in the photo, but it’s not integral to this project.

Today I decided to use it to ring a bell for the Angelus three times a day. We are in the habit of saying the Angelus at noon, but 6am and 6pm are harder to remember.

First thing was to settle on a good chime. Searching for Carillon recordings I did find this collection, but they were all too ornate for a simple Angelus bell.

Another handy gadget I have is a midi controller. Using some synthesizer software called Grand Orgue and a sampled Carillon I was able to generate these short recordings:

* * The beginning of the Gregorian antiphon Ave Maria

* * The beginning of Sub Tuum Praesidium

Then to get the computer to run these I used a feature of most Linux/Unix systems called cron and a program called mpg123 – a command line mp3 player. There is probably a way to do something similar on other computers or even mobile devices.

These might also make great ring tones!

In the meantime, you may like to read more about the Raspberry Pi.

UPDATE: More recordings from Cologne and France

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

Music List • (2nd Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday—1 March 2026—the 2nd Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the flourishing feasts website alongside the official texts in Latin.

—Jeff Ostrowski

Particularly Beautiful

The 2nd Sunday of Lent has magnificent propers. Its INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

Which Mass?

In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski