Views from the Choir Loft

The Pope Who Had … A Child?

Jeff Ostrowski · January 17, 2016

OPE GREGORY XIII was a great supporter of Palestrina, who returned the favor by frequently dedicating musical scores to him. Palestrina also dedicated compositions (on occasion) to the pope’s natural son. Wait…his son?

Yes, it turns out that—during his early life—Gregory XIII had a son (Giacomo Boncompagni) with an unmarried woman. Someday, I’d like to learn more about this, because it must have been hard for Gregory XIII to encourage Catholics not to break the 6th Commandment, considering his past. For the record, Palestrina seems to have been a very holy man.

The Diario of 1594 records an interesting anecdote about Pope Clement VIII. The pontifical choir sang “In diademate capitis” by Giovanni Maria Nanini. This motet seemed to displease Pope Clement, and he asked whose composition it was. They told him it was Nanini.

Because Nanini was known as a great composer, ¹ the pope attempted to soften his criticism, declaring that it was the words of the motet he objected to. However, the maestro di cappella responded that these words came from the Bible…and Pope Clement fell silent!

NOTES FROM THIS ARTICLE:

1 I’m told Nanini was even a colleague of Palestrina at a special music school.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Epiphany Hymn • “New 2-Voice Arrangement”

The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.

—Jeff Ostrowski

Simplified Accompaniment (Epiphany Hymn)

About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.

—Jeff Ostrowski

Psalm Tone Challenge!

Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!

—Jeff Ostrowski

PDF Download • “In Paradisum” in English

We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.

—Jeff Ostrowski

What does this mean? “Pre-Urbanite”

Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.

—Jeff Ostrowski

PDF Download • “Santo Santo Santo”

Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.

—Jeff Ostrowski