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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for January 2016

Jeff Ostrowski · January 31, 2016

Musical Resources • Sexagesima Sunday (EF)

“Grant, we humbly beseech Thee, almighty God, that those whom Thou refreshest with Thy sacraments…”

Fr. David Friel · January 31, 2016

Too Many Options

Allowing Adolescents to Choose Their Faith & the Wide-Open Permissions of the GIRM

Veronica Brandt · January 30, 2016

Make a Digital Piano Sound Like an Organ

Nothing beats a real pipe organ, but you may be able to put together a respectable substitute that you can lug into a church in a few bags.

Richard J. Clark · January 29, 2016

The Vulnerability of Choral Singing

The human voice voice is unique as it is the only musical instrument housed within our God given body. And those who sing before others utterly exposed and vulnerable.

Andrew Leung · January 28, 2016

Diocese of Marquette Taking a Brave Step

Bishop John Doerfler’s new Instruction on Sacred Music in Divine Worship.

Andrew Leung · January 28, 2016

Is the Latin Mass Dead?

The Latin Mass is dead in a sense, its “rubrical growth” stopped in 1962.

Dr. Lucas Tappan · January 27, 2016

Most Pure Heart Schola Cantorum in Rome (Part 2)

Watch the debut of Colin Mawby’s “Ave Maria” in Rome.

Jeff Ostrowski · January 26, 2016

Not Your Grandmother’s Creed

Composer David Haas posted a striking proclamation on his Facebook page.

Jeff Ostrowski · January 26, 2016

Chosen Your Easter Alleluia Yet?

It’s time—and here’s one you’ll love.

Guest Author · January 25, 2016

Reflections on the Change of the Mandatum Rite

A guest article by Mr. Michael Chan, who lives in Hong Kong.

Fr. David Friel · January 24, 2016

Motet for Three Voices: “O Crux Ave”

This piece is ideal for use as a motet during the veneration of the Holy Cross at the Good Friday liturgy.

Jeff Ostrowski · January 24, 2016

Musical Resources • Septuagesima Sunday (Extraordinary Form)

Yet the laborer called at the eleventh hour does not taste the joy reserved to one who has “worked and suffered without reckoning the hours.”

Veronica Brandt · January 23, 2016

Angelus Bells and the Raspberry Pi

Setting a computer up to do something useful, bringing together a credit card sized computer and some midi samples.

Richard J. Clark · January 22, 2016

Lent is near.

Looming over church musicians is a quick transition of liturgical seasons. Here are just a few liturgical works for Lent and Easter.

Andrew Leung · January 21, 2016

Free Downloads • Works by Cardinal Bartolucci (Part 1)

Choral works by Cardinal Bartolucci, former director of the Sistine Chapel Choir, is available for download now!

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

St Ambrose had to be “corrected” by Pope Urban VIII. The ‘Iste confessor’ was greatly altered and the hymn for the Dedication of a Church—which no one ought to have touched—was in fact completely recast in a new meter. Singular demand, made by the taste of that particular epoch!

— Re: The hymn revisions of Pope Urban VIII (d. 1644)

Recent Posts

  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant
  • PDF Download • Ascension “Entrance Chant”

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