Views from the Choir Loft

Diocese of Marquette Taking a Brave Step

Andrew Leung · January 28, 2016

ISHOP JOHN DOERFLER of the Diocese of Marquette, Michigan, just released an Instruction on Sacred Music in Divine Worship entitled, Sing to the Lord, All the Earth. The bishop said that the new Instruction is based on his predecessor, Archbishop Alexander Sample’s pastoral letter on Sacred Music. The letter, Rejoice in the Lord Always, was written in 2013 and there was a series of reflections on our blog. To build on the foundation laid by Archbishop Sample, the new Instruction is issued to “elucidate the steps to be taken to promote Sacred Music in the Diocese of Marquette over the next five years”. These directives are to be implemented in all the parishes and schools throughout the diocese by December 31, 2020.

I think the bishop is taking a very brave step to restore Sacred Music and to implement what Vatican II called for. There are five main points in the Instruction:

1. Parishes and schools will chant the Ordinary parts in the Roman Missal;

2. Parishes and schools will chant the Kyrie, Sanctus and Agnus Dei from the Missa Jubilate Deo;

3. Parishes and schools will chant the Communion Antiphon in English to a very simple tone;

4. A Diocesan Hymnal will be used to ensure the musical quality and doctrinal integrity;

5. The Diocesan Director of Sacred Music will provide workshops for parish musicians to assist them in the implementation.

The full Instruction is available for download here:

* * PDF • SING TO THE LORD, ALL THE EARTH

I think these are necessary step to take in order to restore the Sacred. It will be interesting to see how the implementations turn out. Publishing a diocesan hymnal and eliminating the other hymnals is not an easy task. Let’s pray for all the faithful in the Diocese of Marquette and the success of implementations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

14th Sunday in Ordinary Time (Year C)

Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.

—Jeff Ostrowski

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed