Views from the Choir Loft

Musical Resources • Sexagesima Sunday (EF)

Jeff Ostrowski · January 31, 2016

RESPONSES FOR HIGH MASS

PDF Score (Singer) • printed on a single sheet

PROCESSIONAL

Organist.

ASPERGES

PDF Score (Singer) • Practice Audio (Singer) • Organist

To practice the new section of the Asperges, you must locate #4550.

INTROIT • Sung by the men only.

PDF Score (Singer) • Practice Audio (Singer)

KYRIE ELEISON

The new “Kyrie” is #3661 and #3579 and until we learn the other parts will be sung with this score.

GLORIA IN EXCELSIS

You need to be practicing #3610 for when Lent is over.

GRADUAL & ALLELUIA

There is no Alleluia until Easter arrives.

As always, the verses are found in our GOUPIL GRADUAL books.

CREDO IV • Alternatim

PDF Score (Singer) • Practice Audio (Singer) • Organist

OFFERTORY ANTIPHON

PDF Score (Singer)

OFFERTORY HYMN

PDF Score (Singer) • Organist

SANCTUS & HOSANNA

We have been singing #4912 and will sing it again this Sunday.

Sometimes—but not this coming Sunday—we sing a different polyphonic “Hosanna,” which is #5048. You don’t need to practice the Chant Part.

AGNUS DEI

The new setting currently lacks rehearsal videos.

To practice the Agnus Dei by Philippe Verdelot (d. 1531), you must locate #4801.

Don’t forget our other setting, #4347.

COMMUNION ANTIPHON

PDF Score (Singer) • Practice Audio (Singer)

COMMUNION POLYPHONY

“Jesu Dulcis Memoria” is number #4428.

COMMUNION HYMN

PDF Score (Singer) • Organist

RECESSIONAL HYMN • #878 Holy Father, Great Creator

From the Campion Hymnal. • Organist

PRAYER WITH THE CHOIR (including excerpts from the CAMPION HYMNAL) :

809 Postcommunion

810 Endings Collects CAMPION MISSAL

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

30 November 2020 • “Case in point”

The Solesmes rhythmic markings, which often contradict the official rhythm, do such damage to the antiphons of the Divine Office that—in my humble opinion—they should be abandoned. (In reality, this will never happen.) But sometimes, they do great damage to the melody of the Graduale Romanum, and I would offer the Offertory for the 1st Sunday of Advent as a “case in point.”

—Jeff Ostrowski

27 November 2020 • ACCENTS

Certain Latin words are constantly mispronounced. For example, Carl Orff’s Carmina Burana is supposed to be pronounced “Cármina” but people frequently pronounce it as “Carmína”—wrong! Another example: Nova organi harmonia is supposed to be pronounced “órgani” but many people erroneously say “orgáni.” A somewhat tricky word is incipit. In Latin, it would be “íncipit” while some believe it has entered the English language as “incípit”—but I’m not convinced…

—Jeff Ostrowski

20 November 2020 • Epiphany Sequence?

A very interesting Missale from 1759AD has a Sequence for the Epiphany, but I don’t know where one could find the musical notation. The Seqence is called: “Prompto Gentes Animo Ferte Nunc Altissimo Honorem Et Gloriam.”

—Jeff Ostrowski