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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Chant Workshop for Clergy

Andrew Leung · December 31, 2015

CTL Clergy Workshop AINT AMBROSE SCHOOL OF CHANT is organizing a Music Workshop for Clergy entitled, Finding your Voice: The Role of the Priest and Deacon and How to Sing with Confidence. The workshop will be held at Our Lady of the Mountains Roman Catholic Church in Jasper, GA. The event will be from 10am to 2pm on January 16. The deadline for registration is January 5.

Fr. Charles Byrd and Bridget Scott will serve as the faculty members for this workshop. I have worked with both of them in the past; they both have great visions and knowledge of the Liturgy and Sacred Music. Fr. Byrd is the current pastor of Our Lady of the Mountains. Before that, he has taught in seminaries and served on Diocesan Liturgy Committee. Bridget Scott has been working as music director for many years, and she is currently serving as the music director of Our Lady of the Mountains and the chant instructor at the Monastery of the Holy Spirit in Conyers, GA. Here is how she describe this upcoming workshop:

Singing the dialogue prayers and chants of the Mass can be so intimidating for some priests and deacons that they are reluctant to do so. Others, may find themselves needing a few vocal tips or pointers to make their sung parts a bit more musical and polished. Still others may just desire to become more proficient in singing the Mass by practicing with others. The purpose of this workshop is to help priests and deacons (and deacons-to-be) to feel confident and comfortable chanting the parts of the Mass that are specifically theirs. Singing or chanting the Mass elevates the texts above mere speech and adds to the solemnity and nobility of our worship. It is a worthy endeavor. Please bring a Roman Missal if you have one.

A lot of people are making their new year resolutions right now. Would chanting the Mass be one of those? If you are not a priest, deacon or seminarian, please forward this to your pastors and friends who might find it interesting.

There will be a $25 fee for this workshop that will cover a lunch and the music packet. More information and the registration form can be found on the website of St. Ambrose School of Chant.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

The union of Christians can only be promoted by promoting the return to the one true Church of Christ of those who are separated from it, for in the past they have unhappily left it.

— Pope Pius XI (6 January 1928)

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