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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musical Resources • Christmas Midnight Mass (Extraordinary Form)

Jeff Ostrowski · December 24, 2015


RESPONSES FOR HIGH MASS

PDF Score (Singer) • printed on a single sheet


PROCESSIONAL   •   #805 in the Campion Hymnal

Singers   •   Organist


ASPERGES

There is no Asperges tonight.


INTROIT   •   Sung by the men only.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON

Here’s the Singer Score (PDF) for the Kyrie. To practice, use #5054 and #5053

To practice the Kyrie by Richard Rice, which will sing again someday, you must locate #4781.

Sometimes we do a Kyrie from the Campion Hymnal. The organist needs this Accompaniment. To learn this piece, go here and find “Kyrie XI.”


GLORIA IN EXCELSIS

Singer Score (PDF) and you can practice with #5051.


GRADUAL & ALLELUIA

To practice the new Palestrina ALLELUIA, you must locate #4470. The other one we know is #5050.

You don’t need to practice the chant verses which change each week.


CREDO IV   •   Alternatim

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY

We will sing A Solis Ortus Cardine, which you learn by rehearsing #4022.


SANCTUS & HOSANNA

We have been singing #4912 and will sing it again this Sunday.

Sometimes—but not this coming Sunday—we sing a different polyphonic “Hosanna,” which is #5048. You don’t need to practice the Chant Part.


AGNUS DEI

To practice the Agnus Dei by Philippe Verdelot (d. 1531), you must locate #4801.

Don’t forget our other setting, #4347.


COMMUNION ANTIPHON

PDF Score (Singer)   •   Practice Audio (Singer)


COMMUNION POLYPHONY (A)

“Jesu Dulcis Memoria” is number #4428.


COMMUNION POLYPHONY (B)

Here’s the Singer Score (PDF) and practice with #3792


COMMUNION HYMN • SILENT NIGHT IN LATIN

“Silens Nox” by Father Valentine Young, OFM

Singer Score (PDF) with the Organist


RECESSIONAL HYMN   •   #803 Hark! The Herald Angels Sing

Singer Score (PDF)   •   Organist


For Christmas Midnight Mass, Holy Communion will be received by the choir after Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: December 26, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

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