Views from the Choir Loft

Epiphany Proclamation

Veronica Brandt · December 19, 2015

HEREBY ANNOUNCE THE RELEASE of the Proclamation of Moveable Feasts for 2016! You can download it here.

Many years ago (thirteen to be exact) the resident Parish Liturgical Experts gave me a manuscript to be typeset for the upcoming feast of the Epiphany. That was straightforward – the experts had done all the difficult part of arranging the words and music. I just typed it up.

In the following years, usually just after Midnight Mass, one Liturgical Expert would ask that dreaded question “Did you receive my email?” Then, on Christmas Day, I would take the words and fit them to the music to the best of my meagre ability.

It was not a thrilling job and I made sure the source code was available online for anyone else to take over from me, but still each year I was asked and each year I managed to put it together.

Then that particular Liturgical Expert passed away.

So now each Christmas I remember Mr Michael Pearce and fix up an Epiphany Proclamation, even though my local Latin Mass does not use it. Some years I have thought to let it slide only to be reminded by someone across the globe.

There is no compulsion to sing the Epiphany Proclamation or “de publicatione Festorum mobilium”. I have been told it is only for Cathedrals, but some parishes use it too. I am not a liturgical expert – I just type things up.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

Music List • (1st Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.

—Jeff Ostrowski

2-Voice Arrangement for Lent

Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!

—Jeff Ostrowski

“Sanctus VIII” • Organ Accompaniment

A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.

—Jeff Ostrowski

“Reminder” — Month of Febr. (2026)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski