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Views from the Choir Loft

The “O Antiphons” Begin Tonight

Andrew Leung · December 17, 2015

CTL O Antiphons ODAY IS DECEMBER 17. It is seven days before Christmas Eve. Today is the day that Advent gets even more intense. The Church have chosen special Antiphons and Readings for the coming week to help us prepare the coming of Christ. The “O Antiphons“ are a set of antiphons for Vespers that is prayed during the coming seven days.

The reason why they are called the “O Antiphons“ is because each of them start with the letter “O”. In the Liber Usualis, they are called the “Great Antiphons”. They were mentioned in the 6th century and they were used in Rome by the 8th century. The texts of these antiphons are from the Old Testament Prophetic and Wisdom Books. These antiphons are recited or sung before and after the Magnificat, or the Canticle of Mary. Each of the antiphons begins by calling out a title of Christ:

O Sapientia………….O Wisdom

O Adonai……………..O Lord

O Radix Jesse………O Root of Jesse

O Clavis David……..O Key of David

O Oriens……………..O Dayspring/Dawn

O Rex Gentium…….O King of Nations

O Emmanuel………..O Emmanuel (God is with us)

There is a very cool fact about these titles. If you take the first letters of each titles and spell out from the last one, you will get: “EROCRAS”. And the Latin words “ero cras” means “I will be (there) tomorrow”. Here are the pages of the Great Antiphons from the Liber Usualis (Solesmes 1957) with English translations:

    * *  PDF • THE GREAT ANTIPHONS OF ADVENT

CTL James MacMillan OWADAYS, many of us still sing the “O Antiphons” in Advent, just in a different setting. The text of the famous Advent hymn, O Come, O Come Emmanuel, is from the Great Antiphons. And actually, Jeff Ostrowski just wrote about the Original Setting of the Tune yesterday.

As I was searching through other pieces that are related to the Great Antiphons, I found this Percussion Concerto below. The concerto, “Veni, Veni, Emmanuel“, was composed by Sir James MacMillan, a leading composer who have just been named Catholic of the Year by the Catholic Herald magazine. He has written music for Pope Benedict’s visit to England in 2010 and he has been commissioned recently to write a work for Shrine of Fátima’s centenary which will be attended by Pope Francis. James MacMillan is also the founder of Musica Sacra Scotland, an organization that promotes Gregorian Chant in Scotland.

The Scottish composer took the tune of the hymn as the theme of his work. It is a very interesting and intense piece! It is a non-liturgical piece. But one can listen to it and meditate on Mary and Joseph’s intense and difficult trip right before the birth of our Lord.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The 1960s reformers had no chance of success since their goal was “recasting from top to bottom—and in a few months!—an entire liturgy which had required twenty centuries to develop.”

— Professor Louis Bouyer, close friend of Pope Saint Paul VI

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