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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Don’t Serious Catholics Address This?

Jeff Ostrowski · December 14, 2015

935 PAINT MAGINE ENTERING a room where children are using paint to draw cartoons on the walls. When you ask if a parent gave permission, they reply, “Yes, we have permission.” They go on to explain: “Our parents have not come here and forced us to stop what we’re doing, so we have their permission.”

Sounds crazy, right? Yet, this same situation is what the USCCB has “interpreted” for Masses in the United States.

The official Ordinary Form rubrics 1 REQUIRE that any hymn replacing the 1974 Graduale Propers use a text specifically approved by the local bishop. Over the years, the USCCB has “interpreted” this requirement in many ways. The most serious way is by claiming that any song has “automatic approval” from the local bishop—even though he hasn’t heard the song—unless that bishop specifically forbids the song. 2 This interpretation was confirmed by the USCCB again on 20 November 2012. Moreover, the Bishops’ Liturgy Committee has officially refused to walk back or modify this bizarre policy. Our current situation, therefore, allows anyone—even non-Catholics—to compose lyrics which replace, for example, the ENTRANCE ANTIPHON without permission from any bishop.

Over the years, I’ve heard many powerful talks by strong Catholics: Scott Hahn, Edward Sri, folks from Catholic Answers, folks from Saint Joseph Communications, Adoremus Bulletin, Homiletic & Pastoral Review, and so forth. Many liturgical institutes and blogs also profess to care about sacred music. Why won’t anyone address this issue? Why is this issue never brought up? This situation does incredible damage to sacred music, yet nobody will address it.

If you desire to test the USCCB policy, try this experiment. Compose some lyrics and mail them to your bishop with his name & permission. I promise your bishop will not be pleased. You can try to explain “tacit permission” to him, but I guarantee it won’t do any good. You will be told to immediately remove that permission notice…because this whole “tacit permission” thing is nonsense—and anyone who carefully examines what’s been happening for 40 years will agree.



NOTES FROM THIS ARTICLE:

1   These are found in the current General Instruction of the Roman Missal.

2   As you’ve probably guessed, not many bishops forbid songs of whose existence they are unaware!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

The union of Christians can only be promoted by promoting the return to the one true Church of Christ of those who are separated from it, for in the past they have unhappily left it.

— Pope Pius XI (6 January 1928)

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