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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Don’t Serious Catholics Address This?

Jeff Ostrowski · December 14, 2015

935 PAINT MAGINE ENTERING a room where children are using paint to draw cartoons on the walls. When you ask if a parent gave permission, they reply, “Yes, we have permission.” They go on to explain: “Our parents have not come here and forced us to stop what we’re doing, so we have their permission.”

Sounds crazy, right? Yet, this same situation is what the USCCB has “interpreted” for Masses in the United States.

The official Ordinary Form rubrics 1 REQUIRE that any hymn replacing the 1974 Graduale Propers use a text specifically approved by the local bishop. Over the years, the USCCB has “interpreted” this requirement in many ways. The most serious way is by claiming that any song has “automatic approval” from the local bishop—even though he hasn’t heard the song—unless that bishop specifically forbids the song. 2 This interpretation was confirmed by the USCCB again on 20 November 2012. Moreover, the Bishops’ Liturgy Committee has officially refused to walk back or modify this bizarre policy. Our current situation, therefore, allows anyone—even non-Catholics—to compose lyrics which replace, for example, the ENTRANCE ANTIPHON without permission from any bishop.

Over the years, I’ve heard many powerful talks by strong Catholics: Scott Hahn, Edward Sri, folks from Catholic Answers, folks from Saint Joseph Communications, Adoremus Bulletin, Homiletic & Pastoral Review, and so forth. Many liturgical institutes and blogs also profess to care about sacred music. Why won’t anyone address this issue? Why is this issue never brought up? This situation does incredible damage to sacred music, yet nobody will address it.

If you desire to test the USCCB policy, try this experiment. Compose some lyrics and mail them to your bishop with his name & permission. I promise your bishop will not be pleased. You can try to explain “tacit permission” to him, but I guarantee it won’t do any good. You will be told to immediately remove that permission notice…because this whole “tacit permission” thing is nonsense—and anyone who carefully examines what’s been happening for 40 years will agree.



NOTES FROM THIS ARTICLE:

1   These are found in the current General Instruction of the Roman Missal.

2   As you’ve probably guessed, not many bishops forbid songs of whose existence they are unaware!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The banality and vulgarity of the [ICEL] translations which have ousted the sonorous Latin and little Greek are of a supermarket quality which is quite unacceptable.”

— Sir Alec Guinness (1985)

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