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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Rehearsal Videos • Victoria’s “Ave Maria” (SATB)

Jeff Ostrowski · December 10, 2015

942 IMAGE AVE MARIA Tomás Luis de Victoria SATB EOPLE ENJOYED the “O Magnum Mysterium” rehearsal videos, so I went ahead and created individual practice videos for the SATB “Ave Maria” attributed to Tomás Luis de Victoria:

* *  PDF Download • “Ave Maria” (SATB)

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio

These videos are intended to help amateur choirs learn. When you’re listening, please remember that I’m a tenor! (I do my very best with the other voice parts.)

FOR YEARS, WE HAVE BEEN TOLD that T. L. de Victoria (d. 1611) did not write this piece. Many believed that Karl Proske wrote it under a false name, publishing it in his 1854 collection. But consider these original manuscripts shared by my friend Nancho Alvarez. If Nancho reads this article, perhaps he can let me know the date of these manuscripts—they do not seem like something Proske would write. 1

939 AVE MARIA Tomás Luis de Victoria SATB 940 AVE MARIA Tomás Luis de Victoria SATB 941 AVE MARIA Tomás Luis de Victoria SATB

I’m not so sure Victoria—toward the very end of his life—could not have written this piece. Here are six reasons why:

(1) The music is of a very high quality.

(2) The Tenor and Bass lines in measures 14-16 remind me of a section in Victoria’s “Domine non sum dignus.”

(3) The 3/4 section toward the end is reminiscent of pieces by Victoria and other composers of that time, such as Jacobus Handl-Gallus.

(4) The incipit at the beginning is certainly something Victoria would have done, and comes directly from the Gregorian version. In fact, if you carefully examine the Gregorian melody—such as the phrase “Sancta Maria”—you’ll see that many melodies are based on the plainsong. As a Roman Catholic priest, Victoria loved to use the plainsong melodies in his polyphonic compositions.

(5) The composer says “JESUS CHRISTUS” instead of “Jesus,” which reminds me of what was done to the Holy Name in Victoria’s “O Magnum Mysterium.”

(6) Victoria did not compose a 4-voice AVE MARIA, except for this one. Therefore, it fills a lacuna in his repertoire.

In addition, the use of chromaticism seems—in my humble opinion—to match what was being done circa 1605AD.

 


NOTES FROM THIS ARTICLE:

1   Part books had generally fallen out of fashion by the 19th century. The entire 1854 collection by Carl Proske—called “Musica Divina”—can be downloaded HERE.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 16, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

Yet, with all its advantages, the new Missal was published as if it were a work put together by professors, not a phase in a continual growth process. Such a thing never happened before. It is absolutely contrary to the laws of liturgical growth, and it has resulted in the nonsensical notion that Trent and Pius V had “produced” a Missal four hundred years ago.

— Josef Cardinal Ratzinger (1986)

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