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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Active Participation in the Traditional Latin Mass

Andrew Leung · November 5, 2015

CTL Active Participation HOPE EVERYONE had a blessed All Saints Day and All Souls Day. I went on a little vacation with my friends last weekend and spent some time around the great lakes of Michigan. I spent my All Saints Day in Detroit and I went to a Missa Cantata at St. Josaphat Roman Catholic Church. On All Souls Day, I sang and served at multiple Masses, celebrated in both Forms. Surprisingly, all the celebrants including the bishop and the vicar general wore black vestments! Anyway, the highlight of the day was the Missa Cantata at Immaculate Conception Church in Dennison, Ohio. Fr. Ty Tomson celebrated the Requiem Mass with the catafalque.

According to my friend, the Tridentine Mass has been celebrated at St. Josaphat Roman Catholic Church, a historic church in downtown Detroit, since 2004. The Mass I went to was very simple but well-attended. I was amazed by the active participation of the parishioners, whether they are in the sanctuary, the pews or the choir loft. There were quite a few young men serving in the sanctuary. They served very well and the Liturgy went very smoothly. The organ music and the chants were just sublime! It seems like most people in the church have been going to the Latin Mass and knew it pretty well. Most of them can follow along with the St. Edmund Campion Missal & Hymnal. The parishioners were also able to participate externally by performing the different gestures (including the head bows during the Gloria, which was amazing!) and joining with the schola in singing the Ordinaries and the hymns. I think we can all learn from this wonderful parish. The Traditional Latin Mass really united these people from different ethnic groups together.

On All Souls Day, a Missa Cantata was offered at Immaculate Conception Church in Dennison, Ohio. The Extraordinary Form Mass was introduced to the church recently and parishioners are still adapting to it. I was invited to sing with the choir at this Mass and it was a big contrast compare to the Mass I attended on All Saints Day. The servers were still learning how to serve the Mass and they were doing their very best. The choir has been working hard on chanting. A lot of people are trying to follow along with the help of the handouts and they tried to follow the postures of the altar boys. Some people just simply sat there in deep prayer. They are still in the beginning stage in terms of the familiarity of the Traditional Mass. However, everyone was trying their best to pray and to participate, both internally and externally. Even though they are new to this Form of the Mass, there were still a lot of people sitting in the congregation. I was impressed by the way they prayed and the strong faith they have.

These two churches are very different. But they are both great examples of what Vatican II called for, that faithful are led to “full, conscious, and active participation in the liturgical celebration.” (SC 14)

AST WEEK, I wrote a post about the booklet, An American Requiem. I hope our reader found it useful. Bridget Scott and Fr. Charles Byrd informed me that they now have an updated version of the booklet. There are some errors in the previous edition and they have been corrected. It can be downloaded here:

    * *  PDF • AN AMERICAN REQUIEM

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé

Recent Posts

  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)

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