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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Active Participation in the Traditional Latin Mass

Andrew Leung · November 5, 2015

CTL Active Participation HOPE EVERYONE had a blessed All Saints Day and All Souls Day. I went on a little vacation with my friends last weekend and spent some time around the great lakes of Michigan. I spent my All Saints Day in Detroit and I went to a Missa Cantata at St. Josaphat Roman Catholic Church. On All Souls Day, I sang and served at multiple Masses, celebrated in both Forms. Surprisingly, all the celebrants including the bishop and the vicar general wore black vestments! Anyway, the highlight of the day was the Missa Cantata at Immaculate Conception Church in Dennison, Ohio. Fr. Ty Tomson celebrated the Requiem Mass with the catafalque.

According to my friend, the Tridentine Mass has been celebrated at St. Josaphat Roman Catholic Church, a historic church in downtown Detroit, since 2004. The Mass I went to was very simple but well-attended. I was amazed by the active participation of the parishioners, whether they are in the sanctuary, the pews or the choir loft. There were quite a few young men serving in the sanctuary. They served very well and the Liturgy went very smoothly. The organ music and the chants were just sublime! It seems like most people in the church have been going to the Latin Mass and knew it pretty well. Most of them can follow along with the St. Edmund Campion Missal & Hymnal. The parishioners were also able to participate externally by performing the different gestures (including the head bows during the Gloria, which was amazing!) and joining with the schola in singing the Ordinaries and the hymns. I think we can all learn from this wonderful parish. The Traditional Latin Mass really united these people from different ethnic groups together.

On All Souls Day, a Missa Cantata was offered at Immaculate Conception Church in Dennison, Ohio. The Extraordinary Form Mass was introduced to the church recently and parishioners are still adapting to it. I was invited to sing with the choir at this Mass and it was a big contrast compare to the Mass I attended on All Saints Day. The servers were still learning how to serve the Mass and they were doing their very best. The choir has been working hard on chanting. A lot of people are trying to follow along with the help of the handouts and they tried to follow the postures of the altar boys. Some people just simply sat there in deep prayer. They are still in the beginning stage in terms of the familiarity of the Traditional Mass. However, everyone was trying their best to pray and to participate, both internally and externally. Even though they are new to this Form of the Mass, there were still a lot of people sitting in the congregation. I was impressed by the way they prayed and the strong faith they have.

These two churches are very different. But they are both great examples of what Vatican II called for, that faithful are led to “full, conscious, and active participation in the liturgical celebration.” (SC 14)

AST WEEK, I wrote a post about the booklet, An American Requiem. I hope our reader found it useful. Bridget Scott and Fr. Charles Byrd informed me that they now have an updated version of the booklet. There are some errors in the previous edition and they have been corrected. It can be downloaded here:

    * *  PDF • AN AMERICAN REQUIEM

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“No living writer possesses a greater command over the English language than Msgr. Knox, but in this instance one cannot help feeling that he has allowed his virtuosity to get the better of him, and, in his anxiety to shield the holy of holies from vulgar intrusion, produced a text that would either pass over the listener’s head as completely as the original Latin, or else leave him groping so long after the meaning that he would be quite unable to keep pace with the officiating priest.”

— Dr. Herbert Patrick Reginald Finberg (University of Leicester)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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