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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Power of Good Music

Dr. Lucas Tappan · October 6, 2015

LMT Ghent Altar Piece ECENTLY, MY FAMILY and I attended the funeral of a friend who succumbed to cancer at the early age of 54. She was the receptionist at the local university Catholic Center, a consecrated virgin in the Society of Our Lady of the Most Holy Trinity and one of the most joyful Christians one could hope to meet. Having received the Sacraments and the Apostolic Pardon, she died holding the same crucifix that her father and other family members had held at their deaths, with her mother holding one arm and her cousin, a priest, holding the other and reciting the Prayers for the Dying, while family members filled the room.

One of the most amazing things happened after the service at the grave. Everyone stood around talking—young families and children, elderly, priests, sisters and some who looked like they hadn’t seen the inside of a church in years—so the cemetery worker began to close the lid on the vault. Suddenly, someone began singing a hymn, and soon everyone, young and old, joined in. We sang hymn after hymn as the coffin was lowered into the grave. A brother of the deceased, showing that grief filled with hope, reached down and picked up a handful of dirt and threw it into the grave, and then gave handfuls of dirt to his nieces and nephews. Soon other parents did the same and passed dirt to their children (who provided us all with a bit of laughter as they joyfully threw in the dirt). Finally, someone intoned the Salve Regina and we left.

On the way back to the church for the luncheon, my 4-year-old son wanted to know why we threw dirt into the grave, so I asked him if he remembered the Mass (Ash Wednesday) when the priest put ashes on his head in the shape of a cross. The priest said “Remember you are dust and to dust you shall return.” I explained that God created man from the earth, and while at death our soul goes, pray God, to be with Him, our earthly body returns to the earth to await the joyful day of Resurrection, when Christ will come in all of His glory (my son has been asking about these things a lot lately, so my wife and I try not to let any of these beautiful catechetical moments pass by). I happened to have Handel’s Messiah in the van, so we listened to The Trumpet Shall Sound, Worthy is the Lamb and finished with the great Amen fugue. It amazed me how intently he listened and took it all in.

I guess the point I want to make in all of this is, please, please don’t ever underestimate the power of good music to touch hearts in either the work of evangelization or catechesis, and I look forward to that great day when we will all hopefully join in the final Amen that will resound for all eternity!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“We cannot approve of the attitude of those who use the problems raised and discussed by the Council to create in themselves and in others an attitude of unrest and a desire for radical reformation, as if the Council gives every private opinion a chance to destroy the heritage of the Church. acquired during Her many centuries of history and experience.”

— Pope Paul VI (30 June 1965)

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