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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Power of Good Music

Dr. Lucas Tappan · October 6, 2015

LMT Ghent Altar Piece ECENTLY, MY FAMILY and I attended the funeral of a friend who succumbed to cancer at the early age of 54. She was the receptionist at the local university Catholic Center, a consecrated virgin in the Society of Our Lady of the Most Holy Trinity and one of the most joyful Christians one could hope to meet. Having received the Sacraments and the Apostolic Pardon, she died holding the same crucifix that her father and other family members had held at their deaths, with her mother holding one arm and her cousin, a priest, holding the other and reciting the Prayers for the Dying, while family members filled the room.

One of the most amazing things happened after the service at the grave. Everyone stood around talking—young families and children, elderly, priests, sisters and some who looked like they hadn’t seen the inside of a church in years—so the cemetery worker began to close the lid on the vault. Suddenly, someone began singing a hymn, and soon everyone, young and old, joined in. We sang hymn after hymn as the coffin was lowered into the grave. A brother of the deceased, showing that grief filled with hope, reached down and picked up a handful of dirt and threw it into the grave, and then gave handfuls of dirt to his nieces and nephews. Soon other parents did the same and passed dirt to their children (who provided us all with a bit of laughter as they joyfully threw in the dirt). Finally, someone intoned the Salve Regina and we left.

On the way back to the church for the luncheon, my 4-year-old son wanted to know why we threw dirt into the grave, so I asked him if he remembered the Mass (Ash Wednesday) when the priest put ashes on his head in the shape of a cross. The priest said “Remember you are dust and to dust you shall return.” I explained that God created man from the earth, and while at death our soul goes, pray God, to be with Him, our earthly body returns to the earth to await the joyful day of Resurrection, when Christ will come in all of His glory (my son has been asking about these things a lot lately, so my wife and I try not to let any of these beautiful catechetical moments pass by). I happened to have Handel’s Messiah in the van, so we listened to The Trumpet Shall Sound, Worthy is the Lamb and finished with the great Amen fugue. It amazed me how intently he listened and took it all in.

I guess the point I want to make in all of this is, please, please don’t ever underestimate the power of good music to touch hearts in either the work of evangelization or catechesis, and I look forward to that great day when we will all hopefully join in the final Amen that will resound for all eternity!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’

Recent Posts

  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)

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