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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Mass in the Ancient Form at a Basilica

Andrew Leung · October 1, 2015

CTL Basilica of Sts. Peter and Paul NE of the greatest experiences I had this past year in the South is meeting some new friends. I had the privilege to visit the Basilica of Saints Peter and Paul in Chattanooga, Tennessee, this past weekend. Fr. David Carter, the rector of the basilica, and Maria Rist, the Director of Liturgical Music, are two of those amazing people I met. (And by the way, Fr. Carter was the keynote speaker for the Summer Sacred Music Workshop.)

Fr. Carter started to offered Masses according to the 1962 Missale Romanum when he was assigned to the basilica. And recently, he started to celebrate monthly Sung Masses and I was invited to sing with the choir a few times. It has been great to see the growth of the parish and the choir, especially the children’s choir. If you are in the area and would like to attend a Extraordinary Form Mass, Fr. Carter celebrates a Low Mass every Monday at 7am and a Sung Mass on the fourth Sundays of the month at 5pm.

Making connections is very important, especially now that people are starting to rediscover true Sacred Music. Even though we might still be the minority and are spread out, but try to find a “partner in crime”! Trust me! It is a joyful and encouraging experience when you collaborate with priests and musicians who share passion for the Liturgy and Sacred Music.

This visit was my last visit before I move to Ohio. I sang the Missa Cantata with the schola and the choristers on Sunday afternoon. And we had a simple Sung Mass on Monday morning, a Requiem Mass for Fr. Patrick J. Ryan. I was the cantor for that Mass and below is an excerpt of the Offertory, Domine Jesu Christe.


The video was taken by Maria Rist and you can see Fr. Carter on the right. And please pardon me for my mistakes, it was 7am in the morning and I was reading from my phone. More videos of the Basilica Choirs can be found on their Facebook Page.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

After ordering the bishops to appoint in each diocese “special commission of persons who are really competent in the matter, to whom they will entrust the duty of watching over the music performed in the churches in whatever way may seem most advisable,” Pope Pius X continues—“this commission will insist on the music being not only good in itself, but also proportionate to the capacity of the singers, so that it may be always well executed.”

— Dom Alphege Shebbeare (Downside Review)

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