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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A New Edition Of The 1962 Missal?

Jeff Ostrowski · September 7, 2015

078 Padre Pio Extraordinary Form HEN PEOPLE PUSH for a new edition of the 1962 Missale Romanum, their primary argument goes something like this: “A new edition is necessary because of all the saints canonized since the 1960s.” However, such an argument cannot be sustained.

Did you know Mass can be celebrated in honor of Padre Pio, who was declared a saint many years after the 1962 Missal was published? Here are the Propers:

    * *  PDF Download • 1962 Propers for Padre Pio

When no text is given in the Missal, the formularies are taken from the COMMONS. This was frequently done when a particular diocese or church was named after a saint lacking a feast day in the Missal. This coming Friday, you could even celebrate a votive Mass in honor of St. Godfrey Maurice Jones!

WILL THERE EVER BE a new edition of the 1962 Missale Romanum? I don’t think we’ll see that any time soon, but we might see some kind of APPENDIX with minor changes published by the Vatican. For example, the appropriate Vatican office might send out a questionnaire to all priests who offer the Extraordinary Form, asking if they frequently celebrate a votive Mass for Saint Pio of Pietrelcina. If an absolutely overwhelming number of them say “yes,” perhaps it would make sense to give him a feast date.

Several years ago, rumors were floating around about Pope Benedict XVI. One rumor said B16 would soon change the 1962 Missal into a type of “hybrid.” When a very important cleric—who promotes the Extraordinary Form at the highest levels—visited our home, I asked him about that rumor. He replied:

A very good bishop asked me to investigate that rumor, so my secretary and I spent considerable time on it. When all was said and done, the rumor was found to have originated from an anonymous source, propagated by an anonymous blog. Since that time, I have warned our people to be careful with internet rumors. The most common reason for people to hide their true identity is a lack of credentials; another is to avoid lawsuits. Neither of these is a good thing!

His advice contains great wisdom, and that’s one reason we have a general policy against linking to anonymous websites. For the record, traditional Catholic websites like this one don’t hold a monopoly on “Vatican gossip.” Several progressive liturgical websites are still wiping the egg from their faces after publicly claiming over and over that Archbishop Piero Marini would be appointed head of the CDW. They were dead wrong, and hopefully now recognize the danger of putting one’s faith in anonymous internet rumors.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Padre Pio, Saint Pio of Pietrelcina Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

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