• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Papal Liturgies – Day 6 of the Papal Visit

Andrew Leung · September 28, 2015

I have to admit that I have mixed feelings for the Holy Mass concluding the World Meeting of Families on Sunday. The Holy Father celebrated this Mass, Twenty-sixth Sunday in Ordinary Time, at B. Franklin Parkway in Philadelphia on his last day in the country.

Holy Mass: 42:30

I think the setup of the outdoor “Sanctuary” is one of the best one I have ever seen for a Novus Ordo Mass. It is very tasteful and it has a great sense of holiness. In the video, you can also find that Fr. David Friel was serving alongside the papal masters of ceremonies once again. The Preface and the Eucharistic Prayer (Eucharistic Prayer III) was prayed in Latin.

There was a pretty good selection of preludes before the Mass including Sanctus from Durufle’s Requiem and Beethoven’s Hallelujah. I am also very happy to see that the Ordinaries of the Mass, including the Gloria and Credo, being chanted in Latin. However, I am very disappointed with the music at Communion. Is it just me, or is the gospel choir going flat every time when they sing “Taste and see”? I am not an expert in gospel music, but that sound definitely wasn’t pleasing.

One piece that got my attention is Sound the Bell of Holy Freedom, the official hymn for the World Meeting of Families, sung during the offertory (1:35:36). Here is a recording of the hymn sung by the Cathedral Choir in 2014:


The hymn tune, PHILADELPHIA, was written by composer Normand Gouin, former music director at Old St. Joseph in Philadelphia. The text was penned by Fr. Andrew Ciferni, O.Praem, a liturgist, teacher and scholar who is a native of South Philadelphia. Here is the full text:

1. Sound the bell of holy freedom; call all nations of the earth.
Sons and daughters of one Father, sent to spread God’s saving Word.
Come, and gather, as one fam’ly at the table of the Lord.

2. David branch from root of Jesse, Mary that vine’s flow’ring rose.
She brought forth for us the Savior as the angel did propose;
Overshadowed by the Spirit, by her “yes” new life arose.

3.Blessed Joseph, spouse of Mary, teacher of your God and Lord,
You did shelter and provide for wondrous child by kings adored.
Open to God’s Word in dreaming saved your child from Herod’s sword.

4. Jesus, youth in low’ly Naz’reth, faithful son, and loving child,
Guest and host at Cana’s wedding, finest wine you did provide.
You, our rock and you our shelter, keep us ever by your side.

5. At the cross a grieving mother, on the cross, her only son,
With all mothers and their children, Blessed Mary, you are one.
In our joys, and in our sorrows may we do as you have done.

6. Sound the bell of holy freedom; call all fam’lies of the world
To be fed by love incarnate; to proclaim God’s holy Word;
Through the love of Christ our brother, in the Spirit make us one.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Angularis fundamentum” is typically sung at the dedication or consecration of a church and on church anniversaries. For constructions too numerous to list in recent generations, it would be more appropriate to sing that Christ had been made a temporary foundation. A dispirited generation built temporary housing for its Lord, and in the next millnenium, the ease of its removal may be looked back upon as its chief virtue.

— Fr. George Rutler (2016)

Recent Posts

  • Brave Schola Director Posts ‘Live’ Recording
  • “Cracker Barrel & Catholicism” • Logos and Lessons
  • “Reform of the Reform” officially embraced by USCCB
  • “The Worm That Dieth Not”
  • Father Chris Smith Celebrates 20 Years as a Priest

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.