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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Papal Liturgies – Day 6 of the Papal Visit

Andrew Leung · September 28, 2015

I have to admit that I have mixed feelings for the Holy Mass concluding the World Meeting of Families on Sunday. The Holy Father celebrated this Mass, Twenty-sixth Sunday in Ordinary Time, at B. Franklin Parkway in Philadelphia on his last day in the country.

Holy Mass: 42:30

I think the setup of the outdoor “Sanctuary” is one of the best one I have ever seen for a Novus Ordo Mass. It is very tasteful and it has a great sense of holiness. In the video, you can also find that Fr. David Friel was serving alongside the papal masters of ceremonies once again. The Preface and the Eucharistic Prayer (Eucharistic Prayer III) was prayed in Latin.

There was a pretty good selection of preludes before the Mass including Sanctus from Durufle’s Requiem and Beethoven’s Hallelujah. I am also very happy to see that the Ordinaries of the Mass, including the Gloria and Credo, being chanted in Latin. However, I am very disappointed with the music at Communion. Is it just me, or is the gospel choir going flat every time when they sing “Taste and see”? I am not an expert in gospel music, but that sound definitely wasn’t pleasing.

One piece that got my attention is Sound the Bell of Holy Freedom, the official hymn for the World Meeting of Families, sung during the offertory (1:35:36). Here is a recording of the hymn sung by the Cathedral Choir in 2014:


The hymn tune, PHILADELPHIA, was written by composer Normand Gouin, former music director at Old St. Joseph in Philadelphia. The text was penned by Fr. Andrew Ciferni, O.Praem, a liturgist, teacher and scholar who is a native of South Philadelphia. Here is the full text:

1. Sound the bell of holy freedom; call all nations of the earth.
Sons and daughters of one Father, sent to spread God’s saving Word.
Come, and gather, as one fam’ly at the table of the Lord.

2. David branch from root of Jesse, Mary that vine’s flow’ring rose.
She brought forth for us the Savior as the angel did propose;
Overshadowed by the Spirit, by her “yes” new life arose.

3.Blessed Joseph, spouse of Mary, teacher of your God and Lord,
You did shelter and provide for wondrous child by kings adored.
Open to God’s Word in dreaming saved your child from Herod’s sword.

4. Jesus, youth in low’ly Naz’reth, faithful son, and loving child,
Guest and host at Cana’s wedding, finest wine you did provide.
You, our rock and you our shelter, keep us ever by your side.

5. At the cross a grieving mother, on the cross, her only son,
With all mothers and their children, Blessed Mary, you are one.
In our joys, and in our sorrows may we do as you have done.

6. Sound the bell of holy freedom; call all fam’lies of the world
To be fed by love incarnate; to proclaim God’s holy Word;
Through the love of Christ our brother, in the Spirit make us one.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

Recent Posts

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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