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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Papal Liturgies – Day 6 of the Papal Visit

Andrew Leung · September 28, 2015

I have to admit that I have mixed feelings for the Holy Mass concluding the World Meeting of Families on Sunday. The Holy Father celebrated this Mass, Twenty-sixth Sunday in Ordinary Time, at B. Franklin Parkway in Philadelphia on his last day in the country.

Holy Mass: 42:30

I think the setup of the outdoor “Sanctuary” is one of the best one I have ever seen for a Novus Ordo Mass. It is very tasteful and it has a great sense of holiness. In the video, you can also find that Fr. David Friel was serving alongside the papal masters of ceremonies once again. The Preface and the Eucharistic Prayer (Eucharistic Prayer III) was prayed in Latin.

There was a pretty good selection of preludes before the Mass including Sanctus from Durufle’s Requiem and Beethoven’s Hallelujah. I am also very happy to see that the Ordinaries of the Mass, including the Gloria and Credo, being chanted in Latin. However, I am very disappointed with the music at Communion. Is it just me, or is the gospel choir going flat every time when they sing “Taste and see”? I am not an expert in gospel music, but that sound definitely wasn’t pleasing.

One piece that got my attention is Sound the Bell of Holy Freedom, the official hymn for the World Meeting of Families, sung during the offertory (1:35:36). Here is a recording of the hymn sung by the Cathedral Choir in 2014:


The hymn tune, PHILADELPHIA, was written by composer Normand Gouin, former music director at Old St. Joseph in Philadelphia. The text was penned by Fr. Andrew Ciferni, O.Praem, a liturgist, teacher and scholar who is a native of South Philadelphia. Here is the full text:

1. Sound the bell of holy freedom; call all nations of the earth.
Sons and daughters of one Father, sent to spread God’s saving Word.
Come, and gather, as one fam’ly at the table of the Lord.

2. David branch from root of Jesse, Mary that vine’s flow’ring rose.
She brought forth for us the Savior as the angel did propose;
Overshadowed by the Spirit, by her “yes” new life arose.

3.Blessed Joseph, spouse of Mary, teacher of your God and Lord,
You did shelter and provide for wondrous child by kings adored.
Open to God’s Word in dreaming saved your child from Herod’s sword.

4. Jesus, youth in low’ly Naz’reth, faithful son, and loving child,
Guest and host at Cana’s wedding, finest wine you did provide.
You, our rock and you our shelter, keep us ever by your side.

5. At the cross a grieving mother, on the cross, her only son,
With all mothers and their children, Blessed Mary, you are one.
In our joys, and in our sorrows may we do as you have done.

6. Sound the bell of holy freedom; call all fam’lies of the world
To be fed by love incarnate; to proclaim God’s holy Word;
Through the love of Christ our brother, in the Spirit make us one.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“By no means would I offer the counsel that Mass be celebrated in languages other than Latin.”

— Archbishop Dwyer (one of the Vatican II fathers)

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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