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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Papal Liturgies – Day 2 of the Papal Visit

Andrew Leung · September 23, 2015

Today is the second day, first full day, of Pope Francis’s apostolic visit to the country. He spent his day in Washington DC today. Here is a video of the Mid-Day Prayer with the bishops at the Cathedral of St. Matthew the Apostle.

Reception of the Holy Father: 27:00
Mid-Day Prayer: 37:15

Personally, I thought the music selection was pretty good. The music reflects noble simplicity. Even though the psalm tones weren’t Gregorian, but they are definitely worthy for the liturgy. I am also surprise by the amount of Sacred Silence they had between psalms and reading. Those moments are very peaceful and contemplative. And of course, it’s always nice to have the brass along with the organ for the Holy Father, and Tu es Petrus is the perfect and appropriate piece for papal liturgies.

On the other hand, the Mass and Canonization of Fr. Junipero Serra shows all the main problems of the Sacred Music in the country.

Reception of the Holy Father: 15:00
Canonization: 33:30
Holy Mass: 1:04:00

There are some nice pieces in this video like the glorious Christus Vincit at the beginning of the reception of the Pope, Veni Creator Spiritus at the beginning of the canonization and the Gloria at the beginning of the Mass. However, I hate to say this, most of the music at this Mass is just bad and unworthy. The music shows the main problems of American Sacred Music nowadays. Here are five points to summarize these problems:

1. The Lack of Resources for Spanish Church Music

2. Bilingual (or more languages) Masses

3. Cantors performing solos and “leading” the congregational singing

4. The Bad Taste in music and arts in general

5. Having church music that is not holy, not set apart from the secular music

The two parts that upset me the most is the second reading and the offertory. I am not upset because the lector didn’t read well. But I really don’t understand people’s mind. Why did they choose someone who has difficulties in reading to read? It is good to show our love and care to the “least of us”, meaning those who are sick and suffering. Exposing someone weakness is not how do that though. And if you pay attention to the end of the offertory, you will realize that the music actually interrupted the Mass. There might be some miscommunications, but the Pope just kept on going in the “Orate fratres“ after he washed his fingers. That is something that should not happen at a parish Mass, and definitely unacceptable at a Papal Mass! My fellow church musicians, we have a lot of work to do!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

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