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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Papal Liturgies – Day 2 of the Papal Visit

Andrew Leung · September 23, 2015

Today is the second day, first full day, of Pope Francis’s apostolic visit to the country. He spent his day in Washington DC today. Here is a video of the Mid-Day Prayer with the bishops at the Cathedral of St. Matthew the Apostle.

Reception of the Holy Father: 27:00
Mid-Day Prayer: 37:15

Personally, I thought the music selection was pretty good. The music reflects noble simplicity. Even though the psalm tones weren’t Gregorian, but they are definitely worthy for the liturgy. I am also surprise by the amount of Sacred Silence they had between psalms and reading. Those moments are very peaceful and contemplative. And of course, it’s always nice to have the brass along with the organ for the Holy Father, and Tu es Petrus is the perfect and appropriate piece for papal liturgies.

On the other hand, the Mass and Canonization of Fr. Junipero Serra shows all the main problems of the Sacred Music in the country.

Reception of the Holy Father: 15:00
Canonization: 33:30
Holy Mass: 1:04:00

There are some nice pieces in this video like the glorious Christus Vincit at the beginning of the reception of the Pope, Veni Creator Spiritus at the beginning of the canonization and the Gloria at the beginning of the Mass. However, I hate to say this, most of the music at this Mass is just bad and unworthy. The music shows the main problems of American Sacred Music nowadays. Here are five points to summarize these problems:

1. The Lack of Resources for Spanish Church Music

2. Bilingual (or more languages) Masses

3. Cantors performing solos and “leading” the congregational singing

4. The Bad Taste in music and arts in general

5. Having church music that is not holy, not set apart from the secular music

The two parts that upset me the most is the second reading and the offertory. I am not upset because the lector didn’t read well. But I really don’t understand people’s mind. Why did they choose someone who has difficulties in reading to read? It is good to show our love and care to the “least of us”, meaning those who are sick and suffering. Exposing someone weakness is not how do that though. And if you pay attention to the end of the offertory, you will realize that the music actually interrupted the Mass. There might be some miscommunications, but the Pope just kept on going in the “Orate fratres“ after he washed his fingers. That is something that should not happen at a parish Mass, and definitely unacceptable at a Papal Mass! My fellow church musicians, we have a lot of work to do!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It is very curious, rather barbarous, much too ornate, immeasurably less dignified than ours now, anything in the world rather than archaic or primitive.”

— Fr. Fortescue describing the “Sarum Use” in 1912

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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